Production Sound & Video Magazine Fall 2021Features:-2021 PRIMETIME Emmy Awards-Bond 25: No Time to Die (Part 2)-The Guilty-Women’s Committee-Sports EVS: A Conversation with Edgar Lopez-The Global Chip ShortageSummer 2021Features:-Sound Awards 2021-The Challenges of FINDING ’OHANA-A Conversation with Craig L. Woods-The Four-Person Sound Crew-Paying It Forward: A Conversation with Ron Hairston-Nonlinear Editing Platforms DaVinci ResolveSpring 2021Features:-CAS Award Nominees-Greyhound: The Audio Story-The Little Things-A Few Notes on the Radio Spectrum and a Brand-New Licensing Guide!-The Modern Sound Crew-Video Engineering The Next Generation-The rNAS .m4 and rTB from PronologyWinter 2021Features:-Wonder Woman 1984-News of the World-No Time To Die-Fisher Booms on Superstore-Bruce Arledge Jr. & Boom Trac-The New M1 Processor From AppleFall 2020Features:-Emmys-How Important Is the Production Mix?-Tenet: A Journey-Living With Hearing Loss-Building Diversity in 695-Recording MTV’s Video Music AwardsSummer 2020Features:-The Road Back-2020 Primetime Emmy Awards-Mixing The Mandalorian: Season One “This Is the Way”-José Antonio Garcia CAS & Da 5 Bloods-An Update on EXOSKELETONS-Increasing Production Efficiency While Working Through a Pandemic-Back to School SeasonSpring 2020Features:-The Marvelous Mrs. Maisel-Penny Dreadful: City of Angels-The Sound of Ryan Murphy’s Hollywood-HBO’s Barry-Dead to Me-The Video Engineer-Adapting to a New RealityWinter 2020Features:-Remembering Don Coufal-CAS Awards Nominees-Once Upon a Time…in Hollywood-1917-Ford v Ferrari-CATS Part 2-Nonlinear Editing PlatformsFall 2019Features:-Emmys-Mixing Live Singing Vocals on Cats-The Comeback After Surgery -My Godlike Reputation Part 3-The DemerBox-Adobe Creative CloudSummer 2019Features:-71st Emmy Nominations-Using an Exoskeleton-As Productions Go Online-My Godlike Reputation Part 2-The Sound Cart Builders-2019 Mac ProSpring 2019Features:-Cinema Audio Society Awards-Jean Pierre Beauviala-Modern Family-Exoskeletons-My Godlike Reputation Part 1-The Way We Were: Sound Mixing Equipment (Part 4)Winter 2019Features:-First Man-VICE-Failed Storage-The Way We Were: Mixers Past & Present (Part 3)Fall 2018Features:-Mission: Impossible – Fallout-A Star Is Born-BlacKkKlansman-The Rise of Server-Based Recording-The Way We Were: Mixers Past & Present (Part 2)Summer 2018Features:-695 Young Workers Committee-Y-16a: The Production Sound/Video Trainee-My Life as a Commercial Sound Mixer-Adapting to 4K & Beyond-The Way We Were: Mixers Past & Present (Part 1)-Reprint: March 1953Spring 2018Features:-Yellowstone-Robert Chartier and Live Synchronous HD Car Process-ProRes RAW-Chinhda-The Way We Were-NAB 2018 RecapWinter 2018Features:-“Why Unions Still Matter” and Politics That Make a Difference-Hostiles-The Post-The Greatest ShowmanFall 2017Features:-Remembering Ed Greene-The 600 MHz Auction-Video Graphics Workflow-Sound Apps ViSi-Stress ManagementSummer 2017Features:-Dunkirk-I Love Dick-Sound Apps: V-Control-The Era of AutomationSpring 2017Features:-In Memoriam – Richard Portman-Young Workers Committee Report-This is Us-Willow Jenkins, Key Video Assist-Sound Apps-Big Media in a Small PackageWinter 2017Features:-Sound Apps-La La Land Sound-Fences-The History of Sound in Motion PicturesFall 2016Features:-ROADiES: A Sound Experience-Live-Record for ROADiES-Passengers: Video Playback-Sound Apps-The History of Sound in Motion PicturesSummer 2016Features:-Newly Renovated Offices of Our Local-Cantar-X3-The Radio Frequency Spectrum Puzzle Part 2Spring 2016Features:-The Radio Frequency Spectrum Puzzle-The Jungle Book-Balance Is the WordWinter 2016Features:-Don’t Stand for Standards!-The Hateful Eight-The Martian-SicarioFall 2015Features:-Straight Outta Compton-Television’s Dirtiest Word-Keep Calm and Make a Patch-Dante Explained-Grips to the RescueSummer 2015Features:-The Sound of Birdman-Mad Max: Fury Road-House of Cards-Whiplash-Broken Skull ChallengeSpring 2015Features:-Shooting the Cover-The Best Person for the Job-A Career-The Utility Sound Tech-Life on the Frame Line-StrikenadoWinter 2015Features:-Gone Girl-The American West-Bruce Bisenz-BoyhoodFall 2014Features:-Review: Sound Devices 970-Remembering Walt Martin-Recording Production Sound for Fury-Jersey Boys Music-Jimmy Songer and the Development of Video AssistSummer 2014Features:-Hal Hanie Profile-Edge of Tomorrow-The Nagra Seven-Anchorman 2Spring 2014Features:-Gravity and Captain Phillips-The Walking Dead-Working With Jim Webb-P-Cap, MoCap and All That Jazz Part 2Winter 2014Features:-Jim Webb: A Profile-My Wild Ride: Booming in the ocean-P-Cap, MoCap and All That JazzFall 2013Features:-Music Playback and Live-Record-File Formats for Music Playback-Glee-Nashville-Ray DolbySummer 2013Features:-Behind the Candelabra-Nagra Memories-How I Spent My Summer Vacation-The Annual J.L. Fisher Barbecue-Cinegear ExpoSpring 2013Features:-Recording Les Misérables – Part 2-The Nagra Recorder – Stefan Kudelski TributeWinter 2013Features:-Recording Les Miserables-Archiving on Flash Media-The Cable Connection: Checking for crosstalk problemsFall 2012Features:-“International Sound Technician” – November 1953-Cable Connection: Interconnecting equipment & wiringSummer 2012Features:-Up “The River”: An Hawai’ian excursion-The Cable Connection: Balanced and Unbalanced-Digital Asset Management for SoundSpring 2012Features:-Picket Lines: Organizing efforts on a reality show-Up “The River”: A Puerto Rican adventure-Making the Cable Connection-When Sound Was Reel-9: Digital comes to the cinemaWinter 2012Features:-The Workflow of OZ: Video challenges in Munchkinland-Courtney Goodin, Part Two: Digits and Widgets-When Sound Was Reel 8: Dolby noise reduction in the ’70sFall 2011Features:-The Distinguished Career of Alan Bernard-Lobbying AB 1069-My Trip to Africa: Willie Burton’s incredible journeySummer 2011Features:-Testing the Transmitting Antennas: Mini-Mites and Miracle Whips-Courtney Goodin Part One: The Analog Years-When Sound Was Reel – 7: Dolby comes to the moviesSpring 2011Features:-The Road to Tapeless Production-Rango-Radio Mike Redux-Beginnings of Local 695 Part 3Winter 2011Features:-Antenna Tests Revisited-Kit Cool: New Device for Boom Operators-Beginnings of Local 695, Part 2Older Issues in PDFFeatures:-Spring 2009 thru Fall 2010
Fall 2021Features:-2021 PRIMETIME Emmy Awards-Bond 25: No Time to Die (Part 2)-The Guilty-Women’s Committee-Sports EVS: A Conversation with Edgar Lopez-The Global Chip Shortage
Summer 2021Features:-Sound Awards 2021-The Challenges of FINDING ’OHANA-A Conversation with Craig L. Woods-The Four-Person Sound Crew-Paying It Forward: A Conversation with Ron Hairston-Nonlinear Editing Platforms DaVinci Resolve
Spring 2021Features:-CAS Award Nominees-Greyhound: The Audio Story-The Little Things-A Few Notes on the Radio Spectrum and a Brand-New Licensing Guide!-The Modern Sound Crew-Video Engineering The Next Generation-The rNAS .m4 and rTB from Pronology
Winter 2021Features:-Wonder Woman 1984-News of the World-No Time To Die-Fisher Booms on Superstore-Bruce Arledge Jr. & Boom Trac-The New M1 Processor From Apple
Fall 2020Features:-Emmys-How Important Is the Production Mix?-Tenet: A Journey-Living With Hearing Loss-Building Diversity in 695-Recording MTV’s Video Music Awards
Summer 2020Features:-The Road Back-2020 Primetime Emmy Awards-Mixing The Mandalorian: Season One “This Is the Way”-José Antonio Garcia CAS & Da 5 Bloods-An Update on EXOSKELETONS-Increasing Production Efficiency While Working Through a Pandemic-Back to School Season
Spring 2020Features:-The Marvelous Mrs. Maisel-Penny Dreadful: City of Angels-The Sound of Ryan Murphy’s Hollywood-HBO’s Barry-Dead to Me-The Video Engineer-Adapting to a New Reality
Winter 2020Features:-Remembering Don Coufal-CAS Awards Nominees-Once Upon a Time…in Hollywood-1917-Ford v Ferrari-CATS Part 2-Nonlinear Editing Platforms
Fall 2019Features:-Emmys-Mixing Live Singing Vocals on Cats-The Comeback After Surgery -My Godlike Reputation Part 3-The DemerBox-Adobe Creative Cloud
Summer 2019Features:-71st Emmy Nominations-Using an Exoskeleton-As Productions Go Online-My Godlike Reputation Part 2-The Sound Cart Builders-2019 Mac Pro
Spring 2019Features:-Cinema Audio Society Awards-Jean Pierre Beauviala-Modern Family-Exoskeletons-My Godlike Reputation Part 1-The Way We Were: Sound Mixing Equipment (Part 4)
Fall 2018Features:-Mission: Impossible – Fallout-A Star Is Born-BlacKkKlansman-The Rise of Server-Based Recording-The Way We Were: Mixers Past & Present (Part 2)
Summer 2018Features:-695 Young Workers Committee-Y-16a: The Production Sound/Video Trainee-My Life as a Commercial Sound Mixer-Adapting to 4K & Beyond-The Way We Were: Mixers Past & Present (Part 1)-Reprint: March 1953
Spring 2018Features:-Yellowstone-Robert Chartier and Live Synchronous HD Car Process-ProRes RAW-Chinhda-The Way We Were-NAB 2018 Recap
Winter 2018Features:-“Why Unions Still Matter” and Politics That Make a Difference-Hostiles-The Post-The Greatest Showman
Fall 2017Features:-Remembering Ed Greene-The 600 MHz Auction-Video Graphics Workflow-Sound Apps ViSi-Stress Management
Spring 2017Features:-In Memoriam – Richard Portman-Young Workers Committee Report-This is Us-Willow Jenkins, Key Video Assist-Sound Apps-Big Media in a Small Package
Fall 2016Features:-ROADiES: A Sound Experience-Live-Record for ROADiES-Passengers: Video Playback-Sound Apps-The History of Sound in Motion Pictures
Summer 2016Features:-Newly Renovated Offices of Our Local-Cantar-X3-The Radio Frequency Spectrum Puzzle Part 2
Fall 2015Features:-Straight Outta Compton-Television’s Dirtiest Word-Keep Calm and Make a Patch-Dante Explained-Grips to the Rescue
Summer 2015Features:-The Sound of Birdman-Mad Max: Fury Road-House of Cards-Whiplash-Broken Skull Challenge
Spring 2015Features:-Shooting the Cover-The Best Person for the Job-A Career-The Utility Sound Tech-Life on the Frame Line-Strikenado
Fall 2014Features:-Review: Sound Devices 970-Remembering Walt Martin-Recording Production Sound for Fury-Jersey Boys Music-Jimmy Songer and the Development of Video Assist
Spring 2014Features:-Gravity and Captain Phillips-The Walking Dead-Working With Jim Webb-P-Cap, MoCap and All That Jazz Part 2
Winter 2014Features:-Jim Webb: A Profile-My Wild Ride: Booming in the ocean-P-Cap, MoCap and All That Jazz
Fall 2013Features:-Music Playback and Live-Record-File Formats for Music Playback-Glee-Nashville-Ray Dolby
Summer 2013Features:-Behind the Candelabra-Nagra Memories-How I Spent My Summer Vacation-The Annual J.L. Fisher Barbecue-Cinegear Expo
Winter 2013Features:-Recording Les Miserables-Archiving on Flash Media-The Cable Connection: Checking for crosstalk problems
Fall 2012Features:-“International Sound Technician” – November 1953-Cable Connection: Interconnecting equipment & wiring
Summer 2012Features:-Up “The River”: An Hawai’ian excursion-The Cable Connection: Balanced and Unbalanced-Digital Asset Management for Sound
Spring 2012Features:-Picket Lines: Organizing efforts on a reality show-Up “The River”: A Puerto Rican adventure-Making the Cable Connection-When Sound Was Reel-9: Digital comes to the cinema
Winter 2012Features:-The Workflow of OZ: Video challenges in Munchkinland-Courtney Goodin, Part Two: Digits and Widgets-When Sound Was Reel 8: Dolby noise reduction in the ’70s
Fall 2011Features:-The Distinguished Career of Alan Bernard-Lobbying AB 1069-My Trip to Africa: Willie Burton’s incredible journey
Summer 2011Features:-Testing the Transmitting Antennas: Mini-Mites and Miracle Whips-Courtney Goodin Part One: The Analog Years-When Sound Was Reel – 7: Dolby comes to the movies
Spring 2011Features:-The Road to Tapeless Production-Rango-Radio Mike Redux-Beginnings of Local 695 Part 3
Winter 2011Features:-Antenna Tests Revisited-Kit Cool: New Device for Boom Operators-Beginnings of Local 695, Part 2
