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IATSE Local 695

Production Sound, Video Engineers & Studio Projectionists

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Departments

From the Business Representative

A Day Longer, a Day Stronger

Perhaps we didn’t see it coming, but now that this pandemic is with us, I think that Local 695 members are taking it on like a film or TV crew might face a production challenge. Figuring out what needs to be done and making it happen.

I’ve been speaking with a lot of our members, and many throughout the industry. They are asking two questions; When do we get back to work? And, what is it going to look like when it does?

Safety is the key, and the answer to those questions requires the creativity and participation of everyone involved in film and television production, including crew, actors, writers, and producers. Everything will need to change. The process of figuring out those changes is bringing together leaders from each organization. At the Industry-Wide Labor-Management Safety Committee, we’ve been bringing together all of the unions and guilds across the country with all the major production studios. To keep everyone on track, an epidemiologist from UCLA has been brought in to review all safety recommendations and ensure that no one is cutting corners or taking undue risk.

To provide Local 695-specific input to this process, we formed a working group consisting of roughly forty-five members from all of the crafts we represent, and all of the production areas where we work, including live broadcast, sports, narrative, reality, sitcoms, and projection, to focus on their unique disciplines, to develop recommendations for protocols and workflows that will enable us to get our work done without compromise to safety or to the integrity of our crafts.

The eventual goal for the combined committee is to develop a single set of guidelines that will apply to productions shooting throughout the US and Canada, allowing us to return to work in a safe and productive workplace. Production companies have always relied on Local 695 and the IA to find innovative ways to do our work, which is not entirely new to us. We’re accustomed to change and always willing to adapt every day to meet the needs of production. Big changes lie ahead, but we can do it.

Anxious as we are to get back to work safely and quickly, we also need to take care of ourselves right now. The Local has been working with many of our members to help them get their severance pay and to provide guidance in signing up for unemployment insurance. We also have been working with our membership to help guide them through programs such as the MPTF, offering both financial and emotional assistance to our members.  

The MPI’s new COVID Hardship Assistance Program allows our members to apply to withdraw up to $20,000 or twenty percent (whichever comes first) of your 2018 IAP balance. Although normally taxable, there is no ten percent early withdrawal penalty—that would be on retirement accounts, and you can avoid the tax altogether if you are able to return those funds to your retirement account within three years of withdrawal. If you want to take advantage of this program, you must apply at www.mpiphp.org on or before July 31, 2020.

MPI is also providing our membership with a waiver of health premiums, telemedicine with no co-payments, and no-cost COVID-19 testing. If you have questions about these or any of the other available assistance programs, please be sure to reach out to us at the office.

The one thing we can be sure of is by the time this goes to print, much of what we know now, will have changed. But what will remain unchanged is the commitment of our membership and your union to protect our families at home and our union family as well. We stand together, and together we will bring back the magic!

In Solidarity,
Scott Bernard
Business Representative

News & Announcements

COMMUNITY


Day at the Lanes MPTF Fundraiser

Jennifer Winslow, Jordan Kadovitz, Noel Espinosa, and Heidi Nakamura enjoy MPTF Day at the Lanes

On a beautiful Saturday in October, IATSE had a great time at PINZ Bowling Alley. Colleagues, friends, and families gathered to celebrate another year honoring the Motion Picture Television Fund (MPTF). The day was filled with fun, family, and charitable giving to help benefit the MPTF, which provides much-needed assistance to Local 695 members at times when it is needed the most. Balloons, banners, and booths helped to convert the parking lot into a country fair-like setting. There were brightly decorated tables and photo booths, catering trucks, mini cupcakes, and even frozen cereal puffs that emitted smoke! A wonderful lunch was served to the almost three hundred members, families, and friends in attendance.

Thomas Popp and family have fun bowling at PINZ

The bowling alley was open for free play for four hours of pin smashing fun … and Local 695 took full advantage of it. Gutter balls aside, there were some excellent strikes, spares, and splits, 695 Boom Operator Noel Espinosa had a great game. The arcade was jumping with game play,  including air hockey, foosball, along with new and classic video games. Numerous raffle tables were full of highly sought prizes, including Dodger tickets, a Bose sound system, an Apple iPad and tickets to events like the Magic Castle Sunday Brunch and Burbank Winter Wine Walk. Local 695 member Jordan Kadovitz won some of the top prizes. The event raised more than $180,000 for the Fund. Much thanks to  Heidi Nakamura, our Assistant Business Representative, for sitting on the committee, and to all of the committee members who helped to organize such an excellent event. For more information on the MPTF, call the Local.


Autism Support

Local 839 Animation Guild Lunch and Learn Panel

Many thanks to Local 839 for inviting Local 695 to be a part of this groundbreaking panel discussion held on October 23. The topic was autism awareness and education. The discussion was organized and moderated by 839’s Family Member Support Committee, chaired by Kristin Donner, and members Megan Kreiner, and Sandra Equihua. This was a knowledgeable and informative panel.The discussion started with a definition and brief history of Autism Spectrum Disorder (ASD) known also as Autism, Aspergers Syndrome, and HFA (High Functioning Autism).

Autism is estimated to affect one in every sixty-eight children in the United States; one in every forty-two boys and one in every 189 girls. No two individuals with autism are the same. There is a wide spectrum of symptoms that range from mild to severe. Autism occurs in children of all racial, ethnic, and socioeconomic backgrounds. Autism may be accompanied by language impairment and/or intellectual disability. Research suggests that the causes of autism are complex and include genetic, biological, and environmental risk factors. Increased prevalence in autism has been influenced by greater awareness, improved expertise in diagnosis, and an expanded definition. However, a true increase in the number of children with autism cannot be ruled out.

Symptoms of autism can often be detected at eighteen months or earlier, and some of the early warning signs may even be recognizable within the first year of life. When parents first suspect their child is developing differently, they should discuss their concerns with their pediatrician and ask for an autism screening, or referral to a qualified autism counselor or professional. Early identification and intensive early intervention can result in significant positive outcomes for many children with ASD.

Individuals with autism can make gains throughout their lives with the support of evidence-based educational and therapeutic programs tailored to meet their challenges and strengths. Eighty-four percent of individuals with autism in California are under the age of twenty-two. There is a significant need for services to help young people successfully transition to adulthood with the greatest levels of independence possible. Carrie N. Dilley, PhD, a Psychologist, spoke about the importance of a comprehensive, formal diagnostic exam to assess the child or adult. She touched on the importance of seeking out a skilled professional to administer a series of tests, often called a Psycho-Educational Evaluation.

Professional Behaviorist Juan Corral MS BCBA spoke next on the educational and practical steps parents need to take to help their child succeed in the public or charter school setting. He talked about the IEP (Individualized Education Program) process and parent empowerment, learning the best way to get help, understanding their child’s rights. Sometimes this is best realized through the hiring of an educational advocate, often a wise investment.  

Panelist Marjan Kermani, Esq. of the Lanterman Special Education Legal Clinic, talked about laws and legal responsibilities of public and charter schools since the implementation of IDEA (Individuals with Disabilities Education Act) and FAPE (Free Appropriate Public Education), two federal laws that provide for students with special needs. Occasionally, a lawyer is needed to move forward with due-process proceedings against a school district to gain disability services.

Kristin Kucia, from Exceptional Minds Academy, spoke about their cutting-edge technical school for young adults on the Spectrum, in a computer-based educational setting. They work with and teach ASD teens and adults the craft of animation, visual effects, and other computer-based technical work. Their goal is one hundred percent graduation and placement in the motion picture industry. Many adults do very well in visual effects, often because working with computers in a controlled setting can be soothing and lead to a successful career. Repetitive behaviors (a trait of ASD) are an asset in this type of work. Computer and technical work can also be beneficial for ASD workers with social skill deficits.This school and similar training studios can prepare individuals to enter into the motion picture and television workforce.

In conclusion, it was agreed that children and adults (of any age) with autism can succeed in our world and specifically our industry. Working together, we can help put together the pieces of the autism puzzle and help create a more inclusive and equitable world.

Well done, 839!

For more information, visit
www.thehelpgroup.org
For information on joining the new 695 Family Member Support Committee, get in touch with the Local.


Young Workers Committee

695’s toy donations box runneth over!

The toy drive is a huge success! Local 695’s YWC, the Hollywood IATSE Young Workers Coordinating Committee, and the Los Angeles Federation of Labor participated in the 2019 Annual Toy Drive for working families in Los Angeles. Boxes were overflowing with donations! Thank you to all who participated. IATSE Local 695 cares about our community.
 


NEW MEMBERS


Local 695 Welcomes its New Members

Jose Alcantar    Y-4
Alex Auvenshine    Y-1
Nicholas Kelly    Y-1
Ryan McGuigan    Y-1
Aron Siegel    Y-1
Radoslav Stefanov    Y-1
Todd Reckson    Y-1
Victoria Carrillo    Y-7A
Dejan Milovanovic    Y-4 
Dalmar Montgomery    Y-1
Sean Fluster    Y-4
Stephen Loiacano    A1
Casey Wright    Proj.
Sylvan Grimm    Y-1
Stephen Harrod    Y-8
Luis Hernandez    Y-4
Scott Marshall    Y-7A
Alexandra Dent    Y-1


EDUCATION


Utility Masterclass

Panelists answer questions about the position of Utility Sound Technician

On Sunday, October 20, the 695 family participated in an educational seminar organized by LA Sound Mixers (LASM) and generously sponsored by K-Tek. A large contingent of students and professionals met at Local 80 to participate in the second year of this amazing Masterclass. The morning started out with six hands-on flash classes, ranging in topics from 2nd Boom Skills and Wiring Techniques to Transportation/Tailgate Safety. After these small group classes wrapped up, a panel of top experts convened to discuss their careers and share wisdom about the 695 position of Utility Sound Technician. The panel, moderated by Carrie Sheldon CAS, included Heather Fink, Patrushka Mierzwa, Thomas Popp, Jennifer Winslow, and Kelly Ambrow. Many prospective members were in attendance to understand that the job of Utility has become indispensable on all productions. Local 695 and LASM are working together to bring educated new talent into the union workforce.


In Memoriam

Christopher Banninger
Y-1
Dec. 26, 1955 – Oct. 30, 2019

Ernie Chacon
Proj.
Sept. 4, 1930 – Nov. 27, 2019

Don Coufal
Y-4
Sept. 24, 1949 – Nov. 19, 2019

J. Scott Hammar
Y-7
June 17, 1969 – Dec. 14, 2019

Robert M. Rosales
Y-1
March 18, 1966 – Dec. 8, 2019

Jeff Strailey
KTLA Maintenance Engineer
April 4, 1955 – Nov. 8, 2019

Our Contributors

James Delhauer

James Delhauer was born in Southern California and never made it very far from home. Since 2014, he has worked as a television engineer specializing in Pronology’s mRes platform. He joined Local 695 because he desperately needed friends.


Simon Hayes AMPS CAS

Simon Hayes mixed his first feature film at twenty-seven years old in 1997. Since then, he has mixed more than fifty-five features in a career that has spanned twenty-two years.
He is a great believer of early collaboration between sound production and post. Simon is passionate about the creative process and enjoys teaching and passing on his experience to film students whenever possible between movies.


Steve Morrow CAS

Steven Morrow started his career in Seattle, Washington, at eighteen and moved to Los Angeles a year later to pursue his dream of Sound Mixing. He joined Local 695 in 1998 and has now been mixing for over twenty-two years.


Mark Ulano CAS AMPS

Mark Ulano is an Oscar-winning Production Sound Mixer (Titanic) and multiple Oscar and BAFTA nominee (Iron Man, Kill Bill Vol. 1 & Vol. 2, Inglorious Basterds, Super 8, Django Unchained, The Hateful Eight) and a veteran teacher, author, and international lecturer/speaker. He is currently the President of IATSE Sound Local 695, Past President of the Cinema Audio Society, member of the Sound branch Executive Committee of the Academy of Motion Picture Arts and Sciences (AMPAS).


Stuart Wilson

Stuart Wilson is a Production Mixer working in film. His adventures in sound have found him mixing with secret agents, wizards, and Jedi knights. Most recently, he was dodging the bullets in Sam Mendes’ war film 1917.


Jennifer Winslow

Jennifer has been a member of Local 695 since 1990 and is currently serving as an Executive Board member and Trustee. A Utility Sound Technician and Boom Operator, some of her feature credits include Problem Child, Lone Star, and Be Cool. Her work in TV includes Star Trek: Deep Space Nine, Chicago Hope, and Dear White People.


Photos courtesy of the respective contributors.

From the Editors

Due to the accelerated scheduling of the Academy Awards about three weeks earlier than we have all been used to, you are receiving this edition almost a month earlier, Happy New Year!

This edition features four complex motion pictures that all required lots of out-of-the-box solutions to facilitate their amazing production sound. Simon Hayes continues his deep dive into the sound mix of Cats with “Mixing Live Singing Vocals on Cats” Part 2. Steve Morrow writes about his team’s work on Ford v Ferrari. Mark Ulano explains his enduring relationship with Director Quentin Tarantino and the multilayered sound mix on Once Upon a Time … in Hollywood and Stuart Wilson reveals the imaginative ways of mixing the dialog on the physically demanding 1917. Stellar work by all involved.

There is “Nonlinear Editing Platforms: Avid Technology” by James Delhauer and the Cinema Audio Society Award nominations compiled by Crow Duemig.

Congratulations to all the nominees of the Cinema Audio Society, and in advance to AMPS, BAFTA, and Oscars!

Wishing everyone a bountiful year ahead and happy reading.

Fraternally,
Richard Lightstone & James Delhauer

From the President

THE AWARDS SEASON IS HERE! CAS, AMPAS, AMPS, and BAFTA nominations and awards are in process and many people in our community participate in these organizations year-round as an extension of their professional involvement.

Peer recognition can truly evaluate the effort and outcome of the challenges we face; it is profoundly meaningful to be acknowledged by your colleagues.

Although the mixers are named and nominated and their creative leadership is essential for this honor, they achieve success through the committed collaboration with their specialized teams: Boom Operators, UST’s, Video Engineers, Playback Operators, Y-16A trainees, and all the other support classifications encompassed within the Local 695 super-skilled membership.

Much of this amazing work goes unnoticed by the rest of the industry, as we are excellent at “dancing between the raindrops” without complaint or seeking special attention. Yet, without our craft’s work, the entertainment industry would come to a standstill. So, hats off to all the women and men carrying the load.

How do we keep up with the ever-growing demands on production? We protect the production by utilizing the contract provisions for additional members as needed: Our Utility Sound Technicians’ job has grown to include the almost constant wiring of actors, 2nd boom operating, managing inventory of supplies and wireless headset distribution, and managing timecode syncing of multiple cameras. Our Video Engineers are in a constant evolution of tool application and approach. Our trainees, the Y-16A classification, allow for training in the real workplace, under the guidance of seasoned professionals solving real-world challenges, while learning and earning. We protect the community by protecting the craft and this is a “learn-under-load” prospect.

It delights me to see the seasoned members of our professional family take the time to teach both in and out of the trenches. Teaching preserves our collective impulse to maintain the high standards of our craft.

Heartfelt congratulations to Local 695 crews across the industry being recognized by the nominations of their peers.

Warm and safe holidays to all,

Mark Ulano CAS AMPS
President, IATSE Local 695

From the Business Representative

Wishing our brothers and sisters happy holidays. As we end this decade and start a new one, this is a good time to take stock of where we are as a union and our industry. 2019 started off slowly but as the year ends, we are looking at another record year of work hours being reported to the Motion Picture Pension and Health Plans. We are on track to surpass one hundred million hours (again) by the end of this year.

Looking beyond our industry, we have seen a lot of news reports that the low unemployment rate points to great promise for middle-class jobs. That data might suggest that we’re in a period of economic prosperity, but a closer look reveals a darker reality. The truth is, many of these are low-paying gig-economy jobs—such as Uber, Lyft, and DoorDash drivers; jobs that lack safety protections, insurance, workplace standards, and a path toward advancement. Some of these jobs don’t even meet minimum wage requirements because they have been classified as Independent Contractors where the companies have zero liability or responsibility for wages and benefits. We must support all workers who are disadvantaged by employers who exploit them only to enhance their company’s bottom line.

That’s why the California IATSE Council (CIC) lobbied this past year for Assembly Bill AB5 to stop the abuse of corporations misclassifying workers as Independent Contractors. It’s not just how many jobs are available, but the bigger issue is what kind of jobs are they? More than 55 million women and men, from ages 18 to 64, representing 44 percent of all U.S. workers, earn hourly wages too low to support a family. Since 1990, the available jobs have significantly declined in quality, as measured by the income earned by workers. These low-wage, low-quality jobs are not just coming from the gig-economy but also from the service sector, such as healthcare, leisure, hospitality, restaurants, and others. This trend coincides with the decreased need in the once-flourishing skilled labor and manufacturing sectors. These low-quality jobs offer an average of only 24.6 hours of work per week at $14.65 an hour. That’s just $360 per week.

The middle class is indeed getting squeezed. The question is, what happens next? People are pushing back. More progressive candidates are running for office. Union membership is growing. New union members are younger and more energetic, with over seventy-five percent under thirty-five years old. More women are joining Local 695, as well as all the other locals and unions. The voice of working women and men is growing louder and stronger. That means we have more impact over policy, and laws, and what happens next. Unions do make a difference and that’s why I’m very optimistic about how we can help to make things better. I’m looking forward to a very good year ahead and I sincerely wish prosperity and good health to you and to your family in the new year.


In Solidarity,
Scott Bernard

News & Announcements

695 Casino Night Fundraiser for MPTF

by Laurence Abrams

Andrea Bianchi, Jasmine Morantz, Beau Baker, Steve Morantz, Paul Pouthier, and Veronica Kahn enjoy a fun moment at Casino Night.

Picture this. It’s a beautiful warm August evening at sunset. You’re outside under a tent at Sportsmen’s Lodge in Studio City. Some of your best Local 695 friends are there, along with wives and husbands. There’s great food and cold drinks and the music is just right. A sound mixer masquerading as a magician is walking around performing tricks that could be easily confused with actual magic. Seriously (Thank you, Thi Dinh!).

Blas Kisic shows off his tickets for the opportunity drawing.

Over two dozen great raffle prizes are just waiting to be given away, from a 55-inch Samsung 4K TV to Dodger dugout seats, multiple Orca bags, a Mini CMIT DPA shock mount, and quite a lot more. There are stacks of chips (all from play money, of course) to use at poker, craps, roulette, and blackjack tables. If that’s not enough, the Young Workers Committee is there to give everyone a chance to donate to the IATSE PAC Fund. Well now, that’s beginning to sound a whole lot like Local 695’s Casino Night Fundraiser for the Motion Picture Television Fund (MPTF)!

Fun was had by all. Big thanks for the night go to Linda Skinner at Local 695, Arlene Glassner and VanAn Tranchi at MPTF, and to all the great sponsors who came out to support the event, including the Cinema Audio Society, First Entertainment Credit Union, Orca, Keycode, Avid, 16×9, and Warner Bros. Production Sound & Amp Video Services.

Thanks to everyone who joined us for a great night and for a great cause. Every year, the MPTF provides much-needed assistance to Local 695 members at times when they need it the most. It’s our way of saying thank you MPTF!


Family Picnic

Anna Wilborn and daughter with Sara Glaser

The Local 695 Family Picnic kicked off the fall season at the Van Nuys Sherman Oaks War Memorial Park with a bang, or rather a run, play, and jump! Children jumped and played as parents enjoyed much-needed family fun!

Two bounce houses, hot wheels tracks, a catered lunch, Kona-shaved ice, face-painting, henna tattoos, bubble making, lawn games, super-sized games of Checkers, Jenga, Connect 4, video games for tweens/teens, and a voter registration table made for a wonderful time with family and colleagues, on a beautiful Sunday in September. We showed our 695 spirit, as more than one hundred and twenty members and families came out to enjoy our day! Everyone enjoyed lunch, catered by Bruce’s. Of course, as is after any healthy lunch, mounds of candy rained down upon our children after they finally broke open two piñatas! Many thanks to Executive Board member Juan Cisneros CAS for proposing a family picnic to the Board, and making this a reality. We are very grateful to our many volunteers who came out and helped set up, and then break down the picnic.

New member Ash Sutton and family

Chris Howland CAS and Jennifer Winslow, Picnic Co-chairs, along with the Guild Activities Committee, planned the event, with expert guidance from Dorothea Sargent. Business Rep Scott Bernard spoke on the importance of voter registration, and urged every union member to vote in March 2020.
The best part of the day was being together with our families who often sacrifice so much to make it possible for us to go to work.

Juan Cisneros CAS and family with face-painter
Juan Cisneros CAS and family with face-painter

Pride Parade

Sara Glaser and Heidi Nakamura march with IATSE in LA Pride Parade
Sara Glaser and Heidi Nakamura march with IATSE in LA Pride Parade

695 supports LGBTQIA community and marches in the Pride Parade. A warm sunny day lent an air of excitement as our 695 members joined with other IATSE locals to raise the banner and represent! 695 member Sara Glaser and field rep Heidi Nakamura marched in solidarity with co-workers, friends, and family whose lives are impacted by the dawn of a new era. At the Convention, new language was introduced in the resolution committee whereby LA locals’ language will become gender-neutral in mailings and at meetings. Together, are promoting a more inclusive and understanding world, one step at a time. Well done, IATSE and 695!.


Dodgers Night

Lincoln Morrison, Carrie Sheldon, Kelly Ambrow, Chris Howland CAS, and Jordan Kadovitz

2019 LA Sound Mixers (LASM) Dodger Day took place on Sunday, July 21, 2019. Many Local 695 members attended with their friends and family to enjoy a beautiful evening at Dodger stadium.

Our good luck brought the Dodgers a win and sent the Florida Marlins back to sea! Many thanks to Chris Howland CAS and LASM for organizing the event! We hope to have twice as many 695 baseball fans join in next year, to enjoy this day of fun, food, baseball, and camaraderie.


New Members

Local 695 welcomes its new members

Alex Lowe    Y-7
Martin Spencer    Proj.
Ash Sutton    Y-1
Austin Peck    Y-7
James Nolte    A2
Daniel Martinez    A2
Jason Feller    A2
Danny Cheung    Y-4
Jabob Sedlar    Y-1
Stuart Stilwell    Proj
Benjamin Maus    Y-8
Taylor Umphenour    Proj.
Jeffrey Leemon    Y-1
Julio Rocha    Y-4
Jerremy Dell’Ova    Y-1
Michael Dunwoody    Y-1
Christopher Harris    Y-1
Ashley Beliveau    Y-9
Sam Ozrifaioglu    Y-4
Jose Smith III    Y-1
Connor Solomon    Y-4
Paul Berry    Y-7
Colin Parks    Y-4


Young Workers Committee


The Young Workers Committee (YWC) would like to thank everyone who came by our table at the Casino Night and donated! Your contributions are going toward the important work being done by the IATSE PAC heading into this very important election cycle.

The YWC would also like to express our gratitude to Aaron Eberhardt for his two years of service as co-chair, and wish him the best of luck in his future ventures.

Our committee has more events coming up this fall, including a Get Out the Vote Night in November, in conjunction with the other Hollywood IATSE locals. If you’d like to get involved, send an email to nathan.whitcomb@gmail.com to get on our list. Members under thirty-five, new to the Local, or simply young at heart are welcome to get join. We’d love to have you!


In Memoriam

Dean Champlin
PROJ.
October 26, 1969 – July 8, 2019

Lee Alexander
Y-1
August 16, 1939 – July 25, 2019

Robert Heizer
Y-8
January 27, 1933 – October 13, 2018

Mark Sheret
Y-1
July 11, 1959 – August 29, 2019

Richard “Pat” Walsh
Y-7
February 15, 1954 – August 16, 2019

Our Contributors

Bryan Cahill

Bryan Cahill began his career in San Diego as the mixer on a documentary in Mexico with then-President Jimmy Carter. He moved to Los Angeles in 1990 and currently serves as Production Sound Administrator at Loyola Marymount University.


James Delhauer

James Delhauer was born in Southern California and never made it very far from home. Since 2014, he has worked as a television engineer specializing in Pronology’s mRes platform. He joined Local 695 because he desperately needed friends.


Simon Hayes AMPS CAS

Simon Hayes mixed his first feature film at twenty-seven years old in 1997. Since then, he has mixed more than fifty-five features in a career that has spanned twenty-two years.

He is a great believer of early collaboration between sound production and post. Simon is passionate about the creative process and enjoys teaching and passing on his experience to film students whenever possible between movies.


Richard Lightstone CAS AMPS

Richard began his career in Montreal, and continues to mix in Los Angeles. He is the co-editor of Production Sound & Video, served on the Executive Board of Local 695, and President of the Cinema Audio Society for two terms.


Jim Tanenbaum CAS SMPTE Life Member

Jim’s half-century-plus career runs from Avatar to Zodiac, The House Of. Not wanting to “take his secrets to the grave,” he teaches at Local 695, UCLA, USC, AES, Art Center of Design, and in China, Japan, and Viet Nam. He writes articles for Production Sound & Video, The Coffey Files, and Mix.


Jennifer Winslow

Jennifer has been a member of Local 695 since 1990 and is currently serving as an Executive Board member and Trustee. A Utility Sound Technician and Boom Operator, some of her feature credits include Problem Child, Lone Star, and Be Cool. Her work in TV includes Star Trek: Deep Space Nine, Chicago Hope, and Dear White People.

From The Editors

Welcome to Production Sound & Video’s Fall issue.

We are beginning the ramp up to ‘Awards Season’ and you should take the opportunity to see as many industry screenings that you can avail yourself of.

In this edition, Simon Hayes gives a deep dive into his meticulous planning for his second live-recorded musical with Director Tom Hooper, and the feature Cats. We salute this year’s Creative Arts Sound Emmy winners and Co-editor James Delhauer gives his insight into “Non-Linear Editing Platforms.”

Bryan Cahill writes “The Comeback: Recovering from Rotator Cuff Surgery” and Jim Tanenbaum concludes “How I Got My Godlike Reputation Part 3.” We have “News & Announcements” from Jennifer Winslow and we begin the first in a new series on niche American companies creating innovative products for the sound industry. This installment is “James Demer & the DemerBox.”

Happy reading.

Fraternally,
Richard Lightstone &
James Delhauer

From The Vice President

The following is a guest column written by Jillian Arnold, Vice President of Local 695, by invitation from President Mark Ulano CAS AMPS.

It is the week before the Primetime Emmys, as I write this editorial and I’m talking with the Pronology technicians as they install the record decks onto the broadcast truck at NEP’s Denali field shop. The Oscars and Emmys are the pinnacle award shows that honor our industry’s top arts in the film and TV industries. There is a lot of prep that goes into making these shows before the trucks even power and park at location.

As I’m looking over paperwork and listening to conversations regarding our install, I am reminded of the hundreds of people who make an awards show happen. I am consistently in awe of the talented labor that delivers these shows into living rooms across the country, year after year. I can confidently say, as the viewership numbers decline, the level of dedication and high level of talent continues to rise.

On September 14, the Creative Arts Emmys honored artistic and technical achievements in a variety of categories not broadcast during the Primetime Emmys. I was happy to see the audio departments of our Local honored for their immense talents. Congratulations to all the nominees in their respective fields.

There is, however, a fraction of our Local that is part of these award shows, but are not eligible for TV’s highest honor. Many of our sisters and brothers who work on these shows will never receive the credit they deserve for their years of dedication and hard work on the awards show circuit. I want to shine light on the talent that our Local provides and the vendors that support them.

To all the Tech Managers, Truck Engineers, Playback Operators, Recordists & Tape Operators, Projectionists, Screens and LED Technicians, Front of House Audio, Comms Engineers, Fiber Techs, RF Techs, Transmission Specialists, Technicians, Prep Techs, Utilities…

To all the vendors that serve our members with the development, testing, preparation and installation of gear, and overall support…

To all those who are not in our Local, but also find themselves in the same position—Graphics, Teleprompter, Power Technicians, Transpo, Craft Services, and so much more…

To all who work tirelessly on these shows, but whose families will never see their name on an Oscar or Emmy statue (or in the show credits), thank you for all your hard work.


Jillian Arnold
Vice President

From the Business Representative

American Factory…

American Dream…

I’m second-generation IA. My dad was a Local 695 member … a proud union man … for more than fifty years, working as the Sound Mixer on Gunsmoke, A Christmas Story, Star Trek: The Next Generation, and many others. The “factories” my dad went to work in every day were the film and television studios of Los Angeles. What he wanted for his family … for my mom, my sister, my brother, and me … was to bring home the American Dream. And he found a way to do that working on stage in Hollywood’s Dream Factory.

At factories across the country, it’s been a similar story for seventy-five years, with Moms and Dads working union jobs and taking care of their families all the while reaching for their own personal American Dream. Decent pay, job safety, a path toward advancement, quality healthcare, and a pension to retire on … these were the hallmarks of good American union jobs which for many prosperous decades built a middle class that made the country strong.

But things have changed. Families are losing their foothold in a changing world economy where income inequality is sharply rising at the expense of a shrinking middle class.  Working Americans are getting squeezed by corporations on one side, and by legislation paid for by corporations on the other. These are complex issues with many moving parts, some of which are on display in a newly released Netflix documentary featured as the first episode of Michelle and Barack Obama’s Higher Ground Productions, called American Factory. It tells the story of a shuttered Dayton, Ohio, automobile parts factory that comes back to life as the production facility for a Chinese automotive glass manufacturer. We watch as they turn the factory lights back on and gear up to become a modern, high-tech competitor. And we watch as some of the same automobile workers who were laid off eight years earlier are now being re-hired … except eight years ago, they were members of the United Auto Workers union and were getting $28 an hour, and now there’s no union and they’ll get $14.

The filmmakers ultimately witness an event they weren’t anticipating when shooting began two years earlier. A clash of Chinese and American cultures, along with conflicts between labor and management, eventually push some of the workers to request a federally protected election run by the National Labor Relations Board on whether to bring in representation from UAW Local 696.

The company was staunchly anti-union from the very beginning and in the run-up to the election, they spend more than $1 million for a “union avoidance” company to come in and mount a campaign against the union. Workers are required to sit through hours of “mandatory training” from hired union-busters brought in to spread fear and doubt. To win over the workers, the company quickly offers a $2 raise but fails to mention that if the union is turned away, $16 an hour is here to stay and the chances of finding the American Dream in this American factory would vanish. Those workers in the Dayton glass factory were force-fed a bucket load of disinformation and pressured toward acting against their own best self-interest. This has happened in other factories and in fact, all across the country we’ve seen the same cynical tactics used in public elections, as well.  

But we are not helpless to stop this. With hard work, we really can get this right. The antidote is information, education, and engagement … activism. We need to devote ourselves to making sure that working women and men know the facts whenever they cast their ballots, whether on the factory floor or on their election ballot for local, state, and federal office holders. Labor-friendly civic leaders create labor-friendly legislation. And under the protection of law, the middle class can grow once again toward the prosperity we knew.

We’re only twelve months away from an election that may be more important than any other in our lifetimes. When it’s over, we may find ourselves with representatives who work for our best interest or representatives who work against them. We may end up with leaders who support the rights of working women and men or ones who want to crush those rights even further. Leaders to build an environmentally sustainable future or ones who would destroy it. Leaders who champion healthcare and human rights for everyone or ones who turn their backs on all but the rich. The choice will be made by American voters.

We can’t afford to sit back and watch to see how it all turns out. The next time you’re handed a ballot, vote like your future depends on it. But don’t stop there. Convince ten friends to vote, and when they do the same, you’ve just leveraged that one vote by a factor of a hundred. But don’t stop there. Engage, participate, volunteer in every way you can. But don’t stop there. Through our activism, we have the opportunity to give our kids what our parents worked so hard to give us … a better, safer, healthier world to live in. But don’t even stop there because there’s more that needs to be done. Nothing less than the American Dream is at stake.

In Solidarity,

Scott Bernard and Laurence Abrams

News & Announcements

POLITICS

75th Annual District 2 Convention

The 75th Annual IATSE District 2 Convention was held at the Sheraton Waikiki Beach, Honolulu, June 2019. District 2 represents forty-nine locals, more than fifty-three thousand I.A. members from a variety of crafts with jurisdiction in Arizona, California, Hawaii, and Nevada. Every year, elected officers and delegates from these four states meet to strategize activism and political legislation. Our five elected delegates spent four days networking with other locals in the West Coast Bargaining Group under the IATSE Basic Agreement.

Malia Arrington from The Hollywood Commission addresses the delegates of the District 2 Convention about the work the Commission is doing to end harassment and bias in the entertainment industry.

Throughout the conference, our Local 695 delegates chaired and joined individual committees, including Constitution & Bylaws, Financial, Education, Safety & the Resolution Committee.

Scott Bernard, Business Representative, chaired the Constitution & Bylaws Committee in 2019. Joe Aredas, Assistant BA and Field Representative, participated in the Financial Committee. Devendra Cleary CAS, Executive Board, sat on the Safety Committee, where he discussed health hazards and long-term ergonomic injuries of working excessively long hours. Chris Howland CAS, Sergeant-at-Arms, took part in the Education Committee’s discussion on how to organize and provide support to crews on strike.

Local 695 Business Representative Scott Bernard speaks before the convention.

Jennifer Winslow, Trustee, joined the Resolutions Committee. Together, the committee passed thirteen resolutions expanding the coverage for reproductive care, improving the memberships’ understanding of the health and pension plans, making sure that emergency medical care includes “in-network” services (California Assembly Bill 1611), ensuring members who work out-of-state and need medical care can draw from the California State Disability Insurance program (Senate Bill 271), and to promoting committees that support LGBTQ issues.

A resolution submitted by Local 600, ensures that District 2 “will actively participate in an internal campaign to educate members about their benefit plans, including information about the funding sources and status of the plans.”

International President Matthew Loeb challenges the delegates of the District 2 Convention to get involved in their communities and in politics. “We have to be the people who make this country better for working folks.”

IATSE President Matt Loeb reported on the contracts ratified by IATSE nationwide in 2018, including the Basic Agreement in Los Angeles. “This is the greatest union in the American labor movement,” said Loeb. “And that’s because of all of you and all your members who buy in, who stand together, who fight for what’s right. That’s what brings this organization the power to help the working families that we’ve obligated ourselves to represent.”

Loeb’s address to the convention mentioned the rapid expansion of the streaming industry. “We’ve got Netflix now with almost two hundred new projects,” he said. “Amazon, YouTube, and Hulu combined have another almost two hundred productions slated. All this production means increased hours into our health and pension plans, more residual payments and, of course, jobs for our people.”

Our delegates proudly represented Local 695 at this year’s convention and reported their progress at the monthly Board of Directors meeting in June 2019.

“I really enjoy attending D2. Every time I attend, I meet new delegates and enjoy putting a face to some of the representatives our Local deals with day-to-day on various contract issues.” said Joe Aredas

“Despite the beautiful setting of this year’s conference in Hawaii and the island spirit that flourished on social media outlets, I must emphasize the importance of the work that was done. The three days we spent in the convention hall were scheduled to the brim with officer training, speeches and committee sessions; concluding in after-hour networking and solidarity events. However, beautiful the setting was, the resolutions we passed are crucial to the health and well-being of more than fifty-three thousand IATSE members in the Western United States and provide a fundamentally important setup for the coming round of contract negotiations in 2021,” said Devendra Cleary.

For detailed information about the 75th Annual District 2 Convention, please contact the Local 695 office.

IATSE Local 695
5439 Cahuenga Blvd.
North Hollywood, CA 91601
(818) 985-9204
(818) 760-4681 fax
info@local695.com
local695.com


NEW MEMBERS

Local 695 welcomes its new members

Tyler Bender    Y-1
Chris Formanek    Y-3
Yohannes Skoda    Y-7A
Dwight Schneider    Y-4
Robert W. Naughton    A2
Angel Cifuentes    Y-7A
Wm. Gray Thomas-Sowers    Y-1
Mike Skrzat    Proj.
Michael McGrath    Y-1
Daniel A. Lira    Y-3 Jose Smith Jr.    A2


COMMUNITY

Heartbeat of Hollywood Lite

The 9th Annual Heartbeat of Hollywood Lite was held on Monday, June 3, 2019, at Castle Park in Sherman Oaks. Every year, Local 695 co-sponsors this vital fundraiser for the Motion Picture & Television Fund (MPTF). We would like to thank Jennifer Winslow (Trustee), Ed Moskowitz CAS  (Board of Directors), and Cindy Vivar (Administrative Assistant) for proudly representing Local 695 in this year’s competition.

Jennifer Winslow, Cindy Vivar & Ed Moskowitz CAS compete in the annual Heartbeat of Hollywood Lite mini-golf competition—a fundraiser for the MPTF, co-sponsored by Local 695.

What Is MPTF?

In 1921, cinema pioneers created MPTF (then the Motion Picture Relief Fund) to act as a safety net of health and social services. Many workers in our business don’t always know where their next paycheck will come from, thus MPTF was created by Hollywood’s earliest entertainment luminaries such as Charlie Chaplin, Mary Pickford, Douglas Fairbanks, and D.W. Griffith. Having realized the need for reaching out to those in the entertainment industry who fell upon hard times, it began with a simple coin box in Hollywood where entertainment industry workers would deposit spare change for fellow colleagues.

Today, with the engagement and generosity of thousands of people from within the entertainment industry, the fund serves more than 150,000 people each year with healthcare, services, and retirement living.

MPTF belongs to everyone in the entertainment business and our successes are embodied in the spirit of stepping up and giving back—just as the founders envisioned.

For more information, please visit mptf.com

MPTF—Motion Picture & Television Fund
The Wasserman Campus
23388 Mulholland Drive
Woodland Hills, CA 91364

M–F, 8:30 AM – 5 PM
Saturdays, Sundays & Holidays,
9 AM – 4 PM
Toll-free | (855) 760-MPTF (6783)
Donor Relations | (818) 876-1977
Email us at info@mptf.com


Attending the 75th Annual District 2 Convention

by Jennifer Winslow

From left: Jennifer Winslow, Devendra Cleary CAS, Chris Howland CAS, Joe Aredas, and Scott Bernard


I was honored to attend my first IATSE District 2 Convention and represent Local 695. I was impressed by the solidarity in the room, and that despite our differences, we all came together to meet for a common goal.

The five delegates from 695 sat front and center, right next to the microphone! (Thanks to Scott Bernard.) We were all welcomed with a traditional Hawaiian blessing, and then the serious business began.

The first speaker was Art Pulaski, Executive Secretary-Treasurer, California Federation of Labor, who spoke on multiple assembly bills and how they could affect workers. One is aimed at dismantling the less-than-minimum-wage “gig economy.” He summarized Assembly Bill AB 5 and State Bill SB 271. Two potential laws that will help laborers,  especially in this economy.

Erika Dinkel-Smith was another impressive speaker, a lobbyist for the IATSE in Washington, D.C. She spoke about the Political Action Committee (PAC) and the importance of their work on Capitol Hill. She was dynamic and passionate about her role and position and, in my opinion, we are lucky she is part of our team.

During this three-day Convention, all of the speakers stressed the importance of strong labor unions, urging members and their leaders to continue pushing forward with our political involvement.

There was a timely speech by Malia Arrington, who talked about all forms of harassment, not just sexual harassment in the workplace. She informed us of steps being taken by “The Hollywood Commission,” spearheaded by Kathleen Kennedy and chaired by Anita Hill, to devise a protocol to replace the current gaps in protection of those who fall into this category. She reported that due to the “fluid nature” of our business, there isn’t a real protocol. There is a new “Report and Response System” being put in place industry-wide. Melia stated for there to be true safety from harassment in the workplace, a code of conduct, training, education, and practices are essential.

She stressed that “Systematic Cultural Change” takes time, however, this is a strong beginning and serious steps are being taken to protect workers in all aspects of the industry. Her speech was pretty heavy stuff, but ultimately, by continuing the discussion, we will all be able to recognize bad behavior when it happens, and step in to stop it before it causes any harm, as in the past.

At the end of the day, I was filled with information and exhausted.

On Day 2, IATSE President Matt Loeb took to the podium, you could hear a pin drop! He updated us on the work the International is doing in Washington, D.C., on behalf of labor, which is too extensive to elaborate in this column.

I was placed on the Resolutions Committee, to suggest new resolutions for the IATSE to implement. We were a group of about thirty-five, where we discussed, and then our committee voted on thirteen resolutions. We passed most of the resolutions, combining two and sending one back to the drawing board.

One of them was creating gender neutral language in the Constitution, and another was on healthcare; educating members about their health plans.

After this long day, we were treated to a fabulous luau at The Royal Hawaiian Garden, generously put together by our sisters and brothers of Hawaii Local 665. I got to try some new (to me) Hawaiian food, chat with fellow delegates, hear great live music, and see Polynesian fire dancers. But the most fun was watching our leaders try to hula. Scott and Joe were great sports!

Overall, the camaraderie and unity of the delegates from four very different states that comprised District 2 was remarkable. The powerful messages and the goals of this Convention will not be forgotten. We came together, in solidarity to empower workers and continue the fight to make unions stronger, especially in this anti-labor political climate.

The District 2 Convention was such a memorable and valuable experience for me personally, as a Local 695 member, an Officer of our Board of Directors, and as a Trustee. I definitely feel that my participation at the Convention has helped me to become a better leader and increased my ability to serve the membership.

I would urge every member to run as a delegate and attend a District 2 Convention.


IN MEMORIAM

Theodor Schelling
Y-7
March 22, 1948 – April 27, 2019

Stephen Dickhute
proj.
June 1, 1950 – April 2, 2019

Peter A. San Filipo
Y-1
August 12, 1931 – April 15, 2019

Dean Champlin
proj.
October 26, 1969 – July 8, 2019

Our Contributors

James Delhauer
James Delhauer was born in Southern California and never made it very far from home. Since 2014, he has worked as a television engineer specializing in Pronology’s mRes platform. He joined Local 695 because he desperately needed friends.


Richard Lightstone CAS AMPS
Richard began his career in Montreal, and continues to mix in Los Angeles. He is the co-editor of Production Sound & Video, served on the Executive Board of Local 695, and President of the Cinema Audio Society for two terms.


Jay Patterson CAS
Jay’s career in sound began in ‘65 as a child’s voice in radio, and has never stopped. He’s a Trustee of Local 695 and served five terms as VP, Chairperson, the Technical Trends Committee, and still mixing.


Eva Rismanforoush
Eva began working in sound while attending college in Northern California. Shortly after graduation, she joined Local 695 and is working as a Utility Sound Technician in Los Angeles. She has been the Co-chair of the Young Workers Committee since 2014.


Jim Tanenbaum CAS ATAS SMPTE Life Member
Jim’s half-century-plus career runs from Avatar to Zodiac, The House Of. Not wanting to “take his secrets to the grave,” he teaches at Local 695, UCLA, USC, AES, Art Center of Design, and in China, Japan, and Viet Nam. He writes articles for Production Sound & Video, The Coffey Files, and Mix.


Jennifer Winslow
Jennifer has been a member of Local 695 since 1990 and is currently serving as an Executive Board member and Trustee. A Utility Sound Technician and Boom Operator, some of her feature credits include Problem Child, Lone Star, and Be Cool. Her work in TV includes Star Trek: Deep Space Nine, Chicago Hope, and Dear White People.

From the Editors

The heat is on and welcome to the summer edition of Production Sound & Video. Bryan Cahill and Ken Strain continue their appraisal of exoskeletons, with an in the field review “Using an Exoskeleton in Real-World Settings.”

I contribute an article on the evolution of sound carts and those that build them with “The Sound Cart Builders.” Co-editor James Delhauer gives us two articles: “As Productions Go Online” and “The 2019 Mac Pro.”

Jim Tanenbaum delves into his informative “How I Got My Godlike Reputation Part 2.”

We report on the 2019 Sound Emmy nominations and the winners of the BAFTA Television Awards for Sound. Jennifer Winslow gives her impressions of being a delegate for the first time at this year’s 75th Annual District 2 Convention held in Hawaii.

Finally, Eva Rismanforoush contributes News & Announcements. This will be her final writing, as Eva has gotten too busy to continue. We thank Eva for all her time and incredible work. Jennifer Winslow picks up the mantle and will be contributing in the fall issue.  

Stay cool out there.

Fraternally,
Richard Lightstone &
James Delhauer

From the President

FLEXIBILITY IS THE IDEA…

A question that often comes my way is what are the options for members considering a change of work classification as their career progresses?

This is actually not a complicated area and one to consider as members plan their personal strategies.
 
There are a few situations when this applies, but the most common is when a member either feels ready to move into a different classification for professional satisfaction or when work opportunity in a different classification presents itself.
 
Remember, we are part of a community and mutual respect includes working within the guidelines of your current classification. If you’re making a change, you must follow the proper steps.

Local 695 works hard to balance the progression of an individual’s career within a framework of fairness to fellow members.

Members can elect to re-classify at their own discretion by following the proper procedure. As always, call the Local and speak to a representative to guide you through any such change.

If a member feels they might be ready to make a change to a different classification, we also provide a Temporary Re-classification option. This allows the “trial” change for thirty days at a minimal cost. This can be renewed one time for an additional thirty days. This gives the member a chance to evaluate their choice.

At the end of the temporary period, the member’s original classification will be automatically restored. If the experience fulfills the member’s expectations and they should decide to move forward with a permanent change, the member can then elect to do so by following the required procedure. Please be aware if the member is moving up to a higher classification, e.g., Boom Operator Y-8 to Production Mixer Y-1, then be prepared to have the applicable raise in dues and the additional difference in the current initiation fee required at the time of the change.
 
The issue of interchange is related to this discussion. Be aware not all of our classifications accommodate interchange. Although extremely reasonable, there are some contractual limits.

Of course, once again, please call the Local for guidance.
I’m including here the contract language from the Local 695 Basic Agreement (the red book) which every member should have a copy of for reference. The new edition based on the last contract cycle should be available soon, but the most recent past edition has the same language regarding this subject and can be found on pages 61 and 62.

12. Interchange of Job Classifications

(a) The following job classifications are interchangeable at the discretion of the Producer:
Among Occ. Code Nos. 8131 (Y-6), 8176 (Y-6), 8141 (Y-7), 8178 (Y-7), 8144 (Y-7a), 8180 (Y-7a), 8151 (Y-8) and 8181 (Y-8).
Among Occ. Code Nos. 8109 (Y-3), 8173 (Y-3), 8105 (Y-1) and 8171 (Y-1).
Among Occ. Code Nos. 8109 (Y-3), 8173 (Y-3), 8111(Y-4) and 8174 (Y-4).

(b) Occ. Code Nos. 8111 and 8174 (Y-4) employees may perform the work of Occ. Code Nos. 8131 (Y-6), 8176 (Y-6), 8141 (Y-7), 8178 (Y-7), 8144 (Y-7a) and 8180 (Y-7a) without reduction in rate of pay. Occ. Code Nos. 8144 and 8170 (Y-7a) employees can be assigned the work of Occ. Code Nos. 8141 (Y-7) and 8178 (Y-7).
Occ. Code Nos. 8161, 8182 (Y-9), Sound/Video Service Person Level III, Occ. Code Nos. 8194-8184 (Y-13), Sound/Video Service Person Level II and Occ. Code No. 8185 (Y-16) Sound/Video Service Person Level I are interchangeable at the discretion of the Producer.

(c) In the event Producer wishes to elevate an employee on daily calls between the interchangeable groups listed in subparagraphs (a) and (b) above, approval shall be obtained from the Union.

(d) In an emergency, any person covered under this Agreement can perform in any classification when approved by the Union.

(e) Producer may promote any person covered under this Agreement to any higher classification of work for a period of six (6) or more weeks.
Work time in either a higher or a lower classification shall be credited to fulfill the minimum call of the current classification.

(f) Projectionists shall be interchangeable with Occ. Code Nos. 4150 (Y-9) and 4118 (Y-9) and with all other employees covered under this Agreement. The IATSE agrees to resolve any internal Union matters (e.g., membership, payment of dues, roster standing, etc.) requiring resolution as a result of such interchange.

(g) Projectionists or any person employed under this Agreement, other than a Production Sound Trainee, may operate projection equipment on distant location.

(h) Persons covered under this Agreement shall be freely interchangeable in the performance of mechanical maintenance work.

(i) Any projection employee may be required to perform work in any projection job classification listed in the wage scale (Paragraph 1).

13. Working in Higher Classification
If any part of the workday is worked in a classification higher than the classification under which the employee is called for work, the higher rate shall prevail for the entire workday. The employee reverts to his regular classification on the following day unless notified to the contrary. However, the provisions of this Paragraph do not apply unless the employee is assigned to work in the higher classification for two (2) hours or more.

Mark Ulano CAS AMPS
President, IATSE Local 695

From the Business Representative

In the March 1953 issue of Local 695’s International Sound Technician magazine, Local 695 Video Engineer Murray Jarvis wrote, “While the video magnetic recording process is still in the experimental stage, great progress is being made toward its perfection by its enthusiastic developers. And while the resolution of the visual image produced by this process in its present form has restrictions, the industry is watching this with anxious interest for it has the potential to revolutionize the entire motion picture technique as we know it.” I wonder if Murray had any idea how prophetic his words would prove to be. Indeed, the industry and Local 695 continue to watch with interest as new techniques continue to be developed. One of the most interesting things we’re seeing now is a remake of the old process shot … the front- or rear-screen projection techniques that go all the way back to the 1930s.

However this time, Local 695 Video Projection Engineers are adding a few tricks. This new process is called “The Volume,” which is a 360-degree display created out of a huge array of video screens. Because the images are so good and so bright, we can now display a moving image that looks like you’re on location and not just shooting on stage. 695 Video Engineers are currently developing the software needed to allow these moving backgrounds, whether filmed images or computer-generated 3D renderings to travel in sync with the camera movement so as to perfectly recreate, and go far beyond, anything that can be shot on location. It’s exciting to see this amazing new process work in action and to see the new job opportunities it will offer to the Video Engineers of Local 695 and our sister Studio Mechanics Locals. You can read more about this new technology in the second quarter 2019 IATSE bulletin you received in July.

The March Video Caucus was an opportunity to discuss the new work opportunities arising from these enhancements in video playback techniques. On July 13, we held a craft meeting for all 695 members working on commercials.

We will continue to hold these meetings to stay in touch with issues unique to the type of production you work on. Watch for the emails about future meeting dates and times. I encourage you to come to these craft meetings to participate and bring your personal experience and expertise to share with your sisters and brothers.

Fraternally yours,

Scott Bernard
scottb@local695.com
Business Representative

Video Caucus

by James Delhauer

On March 30 of this year, almost fifty of the foremost video specialist members of Local 695 came together and held the Spring 2019 Video Caucus. The assembled specialists featured a diverse group of artists, each with their own sphere of expertise. Video Assist Technicians, Digital Media Managers, Playback Operators, Broadcast Video Engineers, and Projectionists all sat down with one another to take stock of the current state of affairs within both the union and the industry. Chaired by Vice President Jillian Arnold, the meeting served as an opportunity for workers across all fields to discuss their shared challenges on sets with local leadership and to explore constructive means of addressing those challenges. Local 695 Business Representative Scott Bernard, Recording Secretary and Education & Communications Director Laurence Abrams, Assistant Business Representatives Joe Aredas and Heidi Nakamura were all in attendance to field questions from the group and listen to feedback on how the Local can best serve the membership moving forward.

Throughout the day, a wide variety of topics were discussed, including how the evolution of technology has impacted the role of 695 workers, ways in which we can prepare for future developments in technology, maintaining our craft integrity, and means of effectively reporting contractual violations to the union.
 
Since the turn of the century, we have seen the technology that defines our industry growth at the prodigious rate. Innovations in digital cinema cameras, server-based media, LED projection panels, and web-based streaming platforms have altered the landscape of the video local. Digital video has come to be omnipresent on the set now, with modern workflows requiring monitors for most departments, digital dailies to be distributed across a variety of web-based platforms, terabytes of data to be captured and secured, and sometimes dozens of screens to be populated so they may be properly recorded on camera. For Local 695 Video, Playback, and Projection Artists—whose responsibilities include media playback, on-set chroma keying, off-camera recording, copying files from camera media to external storage devices, backup and redundancy creation, transcoding, and syncing—the changing technical needs require perpetual innovation. Our Video Engineers are at the forefront of the most bleeding-edge developments in service to our clients and our productions. Vice President Jillian Arnold stated that “Education is the key. Our membership needs to make sure it is abreast of what is coming out. If you can go to trade shows, go. Read every periodical you can. As the world continues to innovate, I know that the industry is finding that 695 techs not only have the knowledge required but have the passion and drive that makes them the best in the field. We need to continue that.”
 
To that end, the Local is committed to doing what it can to help. Recording Secretary and Education & Communications Director Laurence Abrams stated to the assembled workers, “We already offer free classes at the Local. And I want to offer more. If anyone has a need for training that would benefit our membership, come talk to me and we will try to put it together.”

But the growth of technology has not been without its drawbacks. In a time where digital media is such a prevalent force on the set, more and more 695 Video Engineers are finding their work being infringed upon by a variety of non-695 members. In fact, the majority of the caucus participants had personal anecdotes regarding others assuming their duties at work. Video Playback, on-set screen or projection work (sometimes referred to as 24-frame playback), and digital media management are all too often being mis-assigned to other departments, despite being long established duties of 695 workers. The widespread nature of these stories would suggest that these issues are not confined to a small series of isolated incidents.

Though technology has advanced and many displays are now outfitted with their own media playback devices, Local 695 specialists are trained in playback troubleshooting. Relying on others to do our jobs in order to save money can cause costly problems during productions. When the system goes down and plug and play doesn’t work, the whole shoot can come grinding to a halt and each minute that ticks away is an expensive waste of time. At that point, it is essential to bring in a 695 engineer who should have already been there from the start. A production that has tried to save itself money has lost more in the long run.

But the largest subject of craft integrity was the topic of digital media management. Every single media specialist in the room had a personal story in which they were told that they could not copy files from camera media to external drives because that is the responsibility of a Local 600 DIT.

This is factually incorrect.

In March of 2017, IATSE President Matthew Loeb issued a ruling on this very subject, stating that the tasks of copying files from camera media to external storage drives, backup creation, transcoding, applying previously created LUTS, quality control, and syncing and recording copies for dailies creation were all contained within the Local 695 Basic Agreement and that going forward, jurisdiction would be shared between the two Locals. Nonetheless, the misconception is still prevalent.

With all of these issues out in the open amongst 695 membership, the conversation turned to what to do next. The leadership was vocal about their intention to address these issues and will continue working on them for the membership. Scott Bernard will continue his diplomatic efforts with other Locals to ensure that 695 work is being done by 695 members. Going forward, Local 695 intends to hold additional video caucuses on a regular basis so that it can continue to gain valuable feedback and insight from its members and work to address issues in that area. In the interim, all members are encouraged to reach out to the Local if they have and questions, concerns, or comments.

News & Announcements

Politics

California Tax Incentive in Action

The California Film Commission announced on April 2, 2019, that eighteen film projects, including the big-budget Akira, have been selected for the latest round of tax credits under the state’s Film & TV Tax Credit Program 2.0.

Together, the projects (ten non-independent, eight independent) will generate an estimated $408 million in qualified expenditures (defined as below-the-line wages and payments to in-state vendors). Overall, in-state production spending will be significantly greater than qualified spending with the addition of above-the-line wages and other production expenditures that do not qualify for tax credits under Program 2.0.

Based on data provided with each tax credit application, the projects announced today will employ an estimated 2,575 crew, 812 cast, and 29,000 extras/stand-ins (the latter measured in “man-days”) over a combined seven hundred and forty shoot days in California.


Education

Community Outreach at LA City College

Alan Rowe (728), Lesli Lytle (44), Angela Whiting (44), Thom Davis (80), Assemblymember Adrin Nazarian, Lydia Graboski-Bauer (892), Doug Boney (871), Winona Wacker (600), Laurence Abrams (695), Bob Denne (729)

On April 11, 2019, more than one hundred attendees came to Los Angeles Valley College to learn about unions and about jobs that are available in the motion picture and television industry.

The event was organized by State Assembly member Adrin Nazarian from California’s 46th Assembly District and featured a group of panelists representing  Local 695, Property Local 44, Set Painters Local 729, Camera Local 600, Lighting Technicians Local 728, Script Supervisors Local 871, and Costume Designers Local 892.

The main presentation was by Laurence Abrams, 695’s Education & Communications Director, giving attendees a review of labor history in the US and showing why labor unions are still so important for the country’s economy and for the safety and security of the middle class. After that, each Local explained their respective crafts and talked about working in our industry.

This event was part of a growing effort by California’s IATSE Locals to reach out to surrounding communities, helping to develop diversity employment opportunities, as well as spread education and understanding about the role of unions in California’s huge and still-growing entertainment economy.


Young Workers

Third Annual YWC Environmental Cleanup

Top row: Brian Udoff, Jonathan Hong, Nathan Whitcomb, Mindy Trim. Bottom: Carolyn Benane, Ryan Murray, Matthew Borek


On April 20, 2019, members of Local 695 and more IATSE Young Workers Committee (YWC) members gathered at Bond Park to participate in FOLAR’s (Friends of the Los Angeles River) annual river cleanup. The nonprofit has been restoring the Los Angeles River since 1986. In 2018, FOLAR and friends removed over 120,000 lbs of plastic trash from the LA riverbed and prevented waste from harming marine life and polluting our beaches. Environmental activism is key to our health and safety and Local 695 is proud to be an active participant.YWC’s Co-chairs Aaron Eberhardt and Nathan Whitcomb frequently collaborate with our sister Locals and nonprofit organizations. IA solidarity and improving our members’ quality of life are on the forefront of the committee’s agenda. To participate or get information about upcoming events, please contact IATSE Local 695 or email ywc@local695.com


New Members

Local 695 welcomes its new members

Ian Cain    Y-3
Michael Kool    Y-1
Jason Batuyong    Y-1
Zachary Allen    Y-1
Don Thompson    Y-4
Thomas Doolittle    Y-7A
Josue Zeta Rojas    Y-1
Hugo Marcotte    Y-7A
Richard Novick    Y-7A
David Hoffman    Y-4
Alejandro Rodriguez    Y-1
Francisco Huizar    Y-7A
Jet Ladomade    Y-16
Eric Anthony    Y-8
Aaron Cooley    Y-1
Mike De Lorenzo    Proj.
Jose Adrian Sanchez    Proj.


In Memoriam

Ron Finkelstein
Proj.
November 9, 1945 – February 21, 2019

Patrick Coffey
Y-7A
February 3, 1938 – December 4, 2018

Donald J. Miller
Y-7A
November 5, 1932 – November 25, 2018

Kelly Rush  
Y-1
January 4, 1957 – March 15, 2019


Our Contributors

Agamemnon Andrianos CAS

A Production Sound Mixer for forty-six years, now finally retired! A ten-time Emmy and CAS nominee, served two terms on the 695 and CAS Executive boards. Currently enjoying the eclectic Northern Calfornia lifestyle. He has a continued interest in mentoring the next generation of sound mixers to be the best at their craft and a love for his Cantar recorders and their noble legacy.


Bryan Cahill

Bryan Cahill began his career in San Diego as the mixer on a documentary in Mexico with President Jimmy Carter. He moved to Los Angeles in 1990 and currently serves as Production Sound Administrator at Loyola Marymount University.


James Delhauer

James Delhauer was born in Southern California and never made it very far from home. Since 2014, he has worked as a television engineer specializing in Pronology’s mRes platform. He joined Local 695 because he desperately needed friends.


Eva Rismanforoush

Eva began working in sound while attending college in Northern California. Shortly after graduation, she joined Local 695 and is working as a Utility Sound Technician in Los Angeles. She has been the Co-chair of the Young Workers Committee since 2014.


Scott Smith

A forty-five-year veteran of the film and music business, Mr. Smith has recorded sound for more than forty film and TV shows. He received the first CAS Award for Best Feature Film Sound for his work on The Fugitive in 1994, and has been twice nominated for an Academy Award. Mr. Smith writes extensively on the history of film sound recording.


Jim Tanenbaum CAS ATAS SMPTE Life Member

Jim’s half-century-plus career runs from Avatar to Zodiac, The House Of. Not wanting to “take his secrets to the grave,” he teaches at Local 695, UCLA, USC, AES, Art Center of Design, and in China, Japan, and Viet Nam. He writes articles for Production Sound & Video, The Coffey Files, and Mix.


Stephen Tibbo CAS

Stephen A. Tibbo CAS is a Production Sound Mixer and Re-recording Mixer. He is a member of both Local 695 and Local 700. He currently works on the television show Modern Family. In addition to his work on set, Stephen works as an ADR and Re-recording Mixer on independent films and television. He has three Primetime Emmys and five CAS Awards for production sound mixing.


Photos courtesy of the respective contributors.

From the Editors

Welcome to the spring edition of Production Sound & Video. We are blossoming with content for your reading enjoyment.

Bryan Cahill writes about the introduction of exoskeletons for boom operators in the hope that this new technology will alleviate the physical stresses of long takes. Stephen Tibbo gives us his working philosophy on Modern Family.

Jim Tanenbaum returns with another of his very informative articles, “How I Got My Godlike Reputation Part 1.” Continuing with numbers, Scott Smith continues with “The Way We Were (Part 4).” Agamemnon Andrianos pens a personal tribute on the passing of Jean Pierre Beauviala, whose engineering brilliance brought us the Cantar recorder and the Aaton camera.

Our Co-editor, James Delhauer, reports on the recent Video Caucus. Eva Rismanforoush contributes “News & Announcements” and the sound award winners.

All in all, a jam-packed issue.

If you have a topic you would like to contribute to this publication, please email us at mag@Local695.com. Expanding the number of members writing for Production Sound & Video would be wonderful.

Fraternally,
Richard Lightstone &
James Delhauer

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IATSE LOCAL 695
5439 Cahuenga Boulevard
North Hollywood, CA 91601

phone  (818) 985-9204
email  info@local695.com

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