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Production Sound, Video Engineers & Studio Projectionists

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Departments

News & Announcements

695 Casino Night Fundraiser for MPTF

by Laurence Abrams

Andrea Bianchi, Jasmine Morantz, Beau Baker, Steve Morantz, Paul Pouthier, and Veronica Kahn enjoy a fun moment at Casino Night.

Picture this. It’s a beautiful warm August evening at sunset. You’re outside under a tent at Sportsmen’s Lodge in Studio City. Some of your best Local 695 friends are there, along with wives and husbands. There’s great food and cold drinks and the music is just right. A sound mixer masquerading as a magician is walking around performing tricks that could be easily confused with actual magic. Seriously (Thank you, Thi Dinh!).

Blas Kisic shows off his tickets for the opportunity drawing.

Over two dozen great raffle prizes are just waiting to be given away, from a 55-inch Samsung 4K TV to Dodger dugout seats, multiple Orca bags, a Mini CMIT DPA shock mount, and quite a lot more. There are stacks of chips (all from play money, of course) to use at poker, craps, roulette, and blackjack tables. If that’s not enough, the Young Workers Committee is there to give everyone a chance to donate to the IATSE PAC Fund. Well now, that’s beginning to sound a whole lot like Local 695’s Casino Night Fundraiser for the Motion Picture Television Fund (MPTF)!

Fun was had by all. Big thanks for the night go to Linda Skinner at Local 695, Arlene Glassner and VanAn Tranchi at MPTF, and to all the great sponsors who came out to support the event, including the Cinema Audio Society, First Entertainment Credit Union, Orca, Keycode, Avid, 16×9, and Warner Bros. Production Sound & Amp Video Services.

Thanks to everyone who joined us for a great night and for a great cause. Every year, the MPTF provides much-needed assistance to Local 695 members at times when they need it the most. It’s our way of saying thank you MPTF!


Family Picnic

Anna Wilborn and daughter with Sara Glaser

The Local 695 Family Picnic kicked off the fall season at the Van Nuys Sherman Oaks War Memorial Park with a bang, or rather a run, play, and jump! Children jumped and played as parents enjoyed much-needed family fun!

Two bounce houses, hot wheels tracks, a catered lunch, Kona-shaved ice, face-painting, henna tattoos, bubble making, lawn games, super-sized games of Checkers, Jenga, Connect 4, video games for tweens/teens, and a voter registration table made for a wonderful time with family and colleagues, on a beautiful Sunday in September. We showed our 695 spirit, as more than one hundred and twenty members and families came out to enjoy our day! Everyone enjoyed lunch, catered by Bruce’s. Of course, as is after any healthy lunch, mounds of candy rained down upon our children after they finally broke open two piñatas! Many thanks to Executive Board member Juan Cisneros CAS for proposing a family picnic to the Board, and making this a reality. We are very grateful to our many volunteers who came out and helped set up, and then break down the picnic.

New member Ash Sutton and family

Chris Howland CAS and Jennifer Winslow, Picnic Co-chairs, along with the Guild Activities Committee, planned the event, with expert guidance from Dorothea Sargent. Business Rep Scott Bernard spoke on the importance of voter registration, and urged every union member to vote in March 2020.
The best part of the day was being together with our families who often sacrifice so much to make it possible for us to go to work.

Juan Cisneros CAS and family with face-painter
Juan Cisneros CAS and family with face-painter

Pride Parade

Sara Glaser and Heidi Nakamura march with IATSE in LA Pride Parade
Sara Glaser and Heidi Nakamura march with IATSE in LA Pride Parade

695 supports LGBTQIA community and marches in the Pride Parade. A warm sunny day lent an air of excitement as our 695 members joined with other IATSE locals to raise the banner and represent! 695 member Sara Glaser and field rep Heidi Nakamura marched in solidarity with co-workers, friends, and family whose lives are impacted by the dawn of a new era. At the Convention, new language was introduced in the resolution committee whereby LA locals’ language will become gender-neutral in mailings and at meetings. Together, are promoting a more inclusive and understanding world, one step at a time. Well done, IATSE and 695!.


Dodgers Night

Lincoln Morrison, Carrie Sheldon, Kelly Ambrow, Chris Howland CAS, and Jordan Kadovitz

2019 LA Sound Mixers (LASM) Dodger Day took place on Sunday, July 21, 2019. Many Local 695 members attended with their friends and family to enjoy a beautiful evening at Dodger stadium.

Our good luck brought the Dodgers a win and sent the Florida Marlins back to sea! Many thanks to Chris Howland CAS and LASM for organizing the event! We hope to have twice as many 695 baseball fans join in next year, to enjoy this day of fun, food, baseball, and camaraderie.


New Members

Local 695 welcomes its new members

Alex Lowe    Y-7
Martin Spencer    Proj.
Ash Sutton    Y-1
Austin Peck    Y-7
James Nolte    A2
Daniel Martinez    A2
Jason Feller    A2
Danny Cheung    Y-4
Jabob Sedlar    Y-1
Stuart Stilwell    Proj
Benjamin Maus    Y-8
Taylor Umphenour    Proj.
Jeffrey Leemon    Y-1
Julio Rocha    Y-4
Jerremy Dell’Ova    Y-1
Michael Dunwoody    Y-1
Christopher Harris    Y-1
Ashley Beliveau    Y-9
Sam Ozrifaioglu    Y-4
Jose Smith III    Y-1
Connor Solomon    Y-4
Paul Berry    Y-7
Colin Parks    Y-4


Young Workers Committee


The Young Workers Committee (YWC) would like to thank everyone who came by our table at the Casino Night and donated! Your contributions are going toward the important work being done by the IATSE PAC heading into this very important election cycle.

The YWC would also like to express our gratitude to Aaron Eberhardt for his two years of service as co-chair, and wish him the best of luck in his future ventures.

Our committee has more events coming up this fall, including a Get Out the Vote Night in November, in conjunction with the other Hollywood IATSE locals. If you’d like to get involved, send an email to nathan.whitcomb@gmail.com to get on our list. Members under thirty-five, new to the Local, or simply young at heart are welcome to get join. We’d love to have you!


In Memoriam

Dean Champlin
PROJ.
October 26, 1969 – July 8, 2019

Lee Alexander
Y-1
August 16, 1939 – July 25, 2019

Robert Heizer
Y-8
January 27, 1933 – October 13, 2018

Mark Sheret
Y-1
July 11, 1959 – August 29, 2019

Richard “Pat” Walsh
Y-7
February 15, 1954 – August 16, 2019

Our Contributors

Bryan Cahill

Bryan Cahill began his career in San Diego as the mixer on a documentary in Mexico with then-President Jimmy Carter. He moved to Los Angeles in 1990 and currently serves as Production Sound Administrator at Loyola Marymount University.


James Delhauer

James Delhauer was born in Southern California and never made it very far from home. Since 2014, he has worked as a television engineer specializing in Pronology’s mRes platform. He joined Local 695 because he desperately needed friends.


Simon Hayes AMPS CAS

Simon Hayes mixed his first feature film at twenty-seven years old in 1997. Since then, he has mixed more than fifty-five features in a career that has spanned twenty-two years.

He is a great believer of early collaboration between sound production and post. Simon is passionate about the creative process and enjoys teaching and passing on his experience to film students whenever possible between movies.


Richard Lightstone CAS AMPS

Richard began his career in Montreal, and continues to mix in Los Angeles. He is the co-editor of Production Sound & Video, served on the Executive Board of Local 695, and President of the Cinema Audio Society for two terms.


Jim Tanenbaum CAS SMPTE Life Member

Jim’s half-century-plus career runs from Avatar to Zodiac, The House Of. Not wanting to “take his secrets to the grave,” he teaches at Local 695, UCLA, USC, AES, Art Center of Design, and in China, Japan, and Viet Nam. He writes articles for Production Sound & Video, The Coffey Files, and Mix.


Jennifer Winslow

Jennifer has been a member of Local 695 since 1990 and is currently serving as an Executive Board member and Trustee. A Utility Sound Technician and Boom Operator, some of her feature credits include Problem Child, Lone Star, and Be Cool. Her work in TV includes Star Trek: Deep Space Nine, Chicago Hope, and Dear White People.

From The Editors

Welcome to Production Sound & Video’s Fall issue.

We are beginning the ramp up to ‘Awards Season’ and you should take the opportunity to see as many industry screenings that you can avail yourself of.

In this edition, Simon Hayes gives a deep dive into his meticulous planning for his second live-recorded musical with Director Tom Hooper, and the feature Cats. We salute this year’s Creative Arts Sound Emmy winners and Co-editor James Delhauer gives his insight into “Non-Linear Editing Platforms.”

Bryan Cahill writes “The Comeback: Recovering from Rotator Cuff Surgery” and Jim Tanenbaum concludes “How I Got My Godlike Reputation Part 3.” We have “News & Announcements” from Jennifer Winslow and we begin the first in a new series on niche American companies creating innovative products for the sound industry. This installment is “James Demer & the DemerBox.”

Happy reading.

Fraternally,
Richard Lightstone &
James Delhauer

From The Vice President

The following is a guest column written by Jillian Arnold, Vice President of Local 695, by invitation from President Mark Ulano CAS AMPS.

It is the week before the Primetime Emmys, as I write this editorial and I’m talking with the Pronology technicians as they install the record decks onto the broadcast truck at NEP’s Denali field shop. The Oscars and Emmys are the pinnacle award shows that honor our industry’s top arts in the film and TV industries. There is a lot of prep that goes into making these shows before the trucks even power and park at location.

As I’m looking over paperwork and listening to conversations regarding our install, I am reminded of the hundreds of people who make an awards show happen. I am consistently in awe of the talented labor that delivers these shows into living rooms across the country, year after year. I can confidently say, as the viewership numbers decline, the level of dedication and high level of talent continues to rise.

On September 14, the Creative Arts Emmys honored artistic and technical achievements in a variety of categories not broadcast during the Primetime Emmys. I was happy to see the audio departments of our Local honored for their immense talents. Congratulations to all the nominees in their respective fields.

There is, however, a fraction of our Local that is part of these award shows, but are not eligible for TV’s highest honor. Many of our sisters and brothers who work on these shows will never receive the credit they deserve for their years of dedication and hard work on the awards show circuit. I want to shine light on the talent that our Local provides and the vendors that support them.

To all the Tech Managers, Truck Engineers, Playback Operators, Recordists & Tape Operators, Projectionists, Screens and LED Technicians, Front of House Audio, Comms Engineers, Fiber Techs, RF Techs, Transmission Specialists, Technicians, Prep Techs, Utilities…

To all the vendors that serve our members with the development, testing, preparation and installation of gear, and overall support…

To all those who are not in our Local, but also find themselves in the same position—Graphics, Teleprompter, Power Technicians, Transpo, Craft Services, and so much more…

To all who work tirelessly on these shows, but whose families will never see their name on an Oscar or Emmy statue (or in the show credits), thank you for all your hard work.


Jillian Arnold
Vice President

From the Business Representative

American Factory…

American Dream…

I’m second-generation IA. My dad was a Local 695 member … a proud union man … for more than fifty years, working as the Sound Mixer on Gunsmoke, A Christmas Story, Star Trek: The Next Generation, and many others. The “factories” my dad went to work in every day were the film and television studios of Los Angeles. What he wanted for his family … for my mom, my sister, my brother, and me … was to bring home the American Dream. And he found a way to do that working on stage in Hollywood’s Dream Factory.

At factories across the country, it’s been a similar story for seventy-five years, with Moms and Dads working union jobs and taking care of their families all the while reaching for their own personal American Dream. Decent pay, job safety, a path toward advancement, quality healthcare, and a pension to retire on … these were the hallmarks of good American union jobs which for many prosperous decades built a middle class that made the country strong.

But things have changed. Families are losing their foothold in a changing world economy where income inequality is sharply rising at the expense of a shrinking middle class.  Working Americans are getting squeezed by corporations on one side, and by legislation paid for by corporations on the other. These are complex issues with many moving parts, some of which are on display in a newly released Netflix documentary featured as the first episode of Michelle and Barack Obama’s Higher Ground Productions, called American Factory. It tells the story of a shuttered Dayton, Ohio, automobile parts factory that comes back to life as the production facility for a Chinese automotive glass manufacturer. We watch as they turn the factory lights back on and gear up to become a modern, high-tech competitor. And we watch as some of the same automobile workers who were laid off eight years earlier are now being re-hired … except eight years ago, they were members of the United Auto Workers union and were getting $28 an hour, and now there’s no union and they’ll get $14.

The filmmakers ultimately witness an event they weren’t anticipating when shooting began two years earlier. A clash of Chinese and American cultures, along with conflicts between labor and management, eventually push some of the workers to request a federally protected election run by the National Labor Relations Board on whether to bring in representation from UAW Local 696.

The company was staunchly anti-union from the very beginning and in the run-up to the election, they spend more than $1 million for a “union avoidance” company to come in and mount a campaign against the union. Workers are required to sit through hours of “mandatory training” from hired union-busters brought in to spread fear and doubt. To win over the workers, the company quickly offers a $2 raise but fails to mention that if the union is turned away, $16 an hour is here to stay and the chances of finding the American Dream in this American factory would vanish. Those workers in the Dayton glass factory were force-fed a bucket load of disinformation and pressured toward acting against their own best self-interest. This has happened in other factories and in fact, all across the country we’ve seen the same cynical tactics used in public elections, as well.  

But we are not helpless to stop this. With hard work, we really can get this right. The antidote is information, education, and engagement … activism. We need to devote ourselves to making sure that working women and men know the facts whenever they cast their ballots, whether on the factory floor or on their election ballot for local, state, and federal office holders. Labor-friendly civic leaders create labor-friendly legislation. And under the protection of law, the middle class can grow once again toward the prosperity we knew.

We’re only twelve months away from an election that may be more important than any other in our lifetimes. When it’s over, we may find ourselves with representatives who work for our best interest or representatives who work against them. We may end up with leaders who support the rights of working women and men or ones who want to crush those rights even further. Leaders to build an environmentally sustainable future or ones who would destroy it. Leaders who champion healthcare and human rights for everyone or ones who turn their backs on all but the rich. The choice will be made by American voters.

We can’t afford to sit back and watch to see how it all turns out. The next time you’re handed a ballot, vote like your future depends on it. But don’t stop there. Convince ten friends to vote, and when they do the same, you’ve just leveraged that one vote by a factor of a hundred. But don’t stop there. Engage, participate, volunteer in every way you can. But don’t stop there. Through our activism, we have the opportunity to give our kids what our parents worked so hard to give us … a better, safer, healthier world to live in. But don’t even stop there because there’s more that needs to be done. Nothing less than the American Dream is at stake.

In Solidarity,

Scott Bernard and Laurence Abrams

News & Announcements

POLITICS

75th Annual District 2 Convention

The 75th Annual IATSE District 2 Convention was held at the Sheraton Waikiki Beach, Honolulu, June 2019. District 2 represents forty-nine locals, more than fifty-three thousand I.A. members from a variety of crafts with jurisdiction in Arizona, California, Hawaii, and Nevada. Every year, elected officers and delegates from these four states meet to strategize activism and political legislation. Our five elected delegates spent four days networking with other locals in the West Coast Bargaining Group under the IATSE Basic Agreement.

Malia Arrington from The Hollywood Commission addresses the delegates of the District 2 Convention about the work the Commission is doing to end harassment and bias in the entertainment industry.

Throughout the conference, our Local 695 delegates chaired and joined individual committees, including Constitution & Bylaws, Financial, Education, Safety & the Resolution Committee.

Scott Bernard, Business Representative, chaired the Constitution & Bylaws Committee in 2019. Joe Aredas, Assistant BA and Field Representative, participated in the Financial Committee. Devendra Cleary CAS, Executive Board, sat on the Safety Committee, where he discussed health hazards and long-term ergonomic injuries of working excessively long hours. Chris Howland CAS, Sergeant-at-Arms, took part in the Education Committee’s discussion on how to organize and provide support to crews on strike.

Local 695 Business Representative Scott Bernard speaks before the convention.

Jennifer Winslow, Trustee, joined the Resolutions Committee. Together, the committee passed thirteen resolutions expanding the coverage for reproductive care, improving the memberships’ understanding of the health and pension plans, making sure that emergency medical care includes “in-network” services (California Assembly Bill 1611), ensuring members who work out-of-state and need medical care can draw from the California State Disability Insurance program (Senate Bill 271), and to promoting committees that support LGBTQ issues.

A resolution submitted by Local 600, ensures that District 2 “will actively participate in an internal campaign to educate members about their benefit plans, including information about the funding sources and status of the plans.”

International President Matthew Loeb challenges the delegates of the District 2 Convention to get involved in their communities and in politics. “We have to be the people who make this country better for working folks.”

IATSE President Matt Loeb reported on the contracts ratified by IATSE nationwide in 2018, including the Basic Agreement in Los Angeles. “This is the greatest union in the American labor movement,” said Loeb. “And that’s because of all of you and all your members who buy in, who stand together, who fight for what’s right. That’s what brings this organization the power to help the working families that we’ve obligated ourselves to represent.”

Loeb’s address to the convention mentioned the rapid expansion of the streaming industry. “We’ve got Netflix now with almost two hundred new projects,” he said. “Amazon, YouTube, and Hulu combined have another almost two hundred productions slated. All this production means increased hours into our health and pension plans, more residual payments and, of course, jobs for our people.”

Our delegates proudly represented Local 695 at this year’s convention and reported their progress at the monthly Board of Directors meeting in June 2019.

“I really enjoy attending D2. Every time I attend, I meet new delegates and enjoy putting a face to some of the representatives our Local deals with day-to-day on various contract issues.” said Joe Aredas

“Despite the beautiful setting of this year’s conference in Hawaii and the island spirit that flourished on social media outlets, I must emphasize the importance of the work that was done. The three days we spent in the convention hall were scheduled to the brim with officer training, speeches and committee sessions; concluding in after-hour networking and solidarity events. However, beautiful the setting was, the resolutions we passed are crucial to the health and well-being of more than fifty-three thousand IATSE members in the Western United States and provide a fundamentally important setup for the coming round of contract negotiations in 2021,” said Devendra Cleary.

For detailed information about the 75th Annual District 2 Convention, please contact the Local 695 office.

IATSE Local 695
5439 Cahuenga Blvd.
North Hollywood, CA 91601
(818) 985-9204
(818) 760-4681 fax
info@local695.com
local695.com


NEW MEMBERS

Local 695 welcomes its new members

Tyler Bender    Y-1
Chris Formanek    Y-3
Yohannes Skoda    Y-7A
Dwight Schneider    Y-4
Robert W. Naughton    A2
Angel Cifuentes    Y-7A
Wm. Gray Thomas-Sowers    Y-1
Mike Skrzat    Proj.
Michael McGrath    Y-1
Daniel A. Lira    Y-3 Jose Smith Jr.    A2


COMMUNITY

Heartbeat of Hollywood Lite

The 9th Annual Heartbeat of Hollywood Lite was held on Monday, June 3, 2019, at Castle Park in Sherman Oaks. Every year, Local 695 co-sponsors this vital fundraiser for the Motion Picture & Television Fund (MPTF). We would like to thank Jennifer Winslow (Trustee), Ed Moskowitz CAS  (Board of Directors), and Cindy Vivar (Administrative Assistant) for proudly representing Local 695 in this year’s competition.

Jennifer Winslow, Cindy Vivar & Ed Moskowitz CAS compete in the annual Heartbeat of Hollywood Lite mini-golf competition—a fundraiser for the MPTF, co-sponsored by Local 695.

What Is MPTF?

In 1921, cinema pioneers created MPTF (then the Motion Picture Relief Fund) to act as a safety net of health and social services. Many workers in our business don’t always know where their next paycheck will come from, thus MPTF was created by Hollywood’s earliest entertainment luminaries such as Charlie Chaplin, Mary Pickford, Douglas Fairbanks, and D.W. Griffith. Having realized the need for reaching out to those in the entertainment industry who fell upon hard times, it began with a simple coin box in Hollywood where entertainment industry workers would deposit spare change for fellow colleagues.

Today, with the engagement and generosity of thousands of people from within the entertainment industry, the fund serves more than 150,000 people each year with healthcare, services, and retirement living.

MPTF belongs to everyone in the entertainment business and our successes are embodied in the spirit of stepping up and giving back—just as the founders envisioned.

For more information, please visit mptf.com

MPTF—Motion Picture & Television Fund
The Wasserman Campus
23388 Mulholland Drive
Woodland Hills, CA 91364

M–F, 8:30 AM – 5 PM
Saturdays, Sundays & Holidays,
9 AM – 4 PM
Toll-free | (855) 760-MPTF (6783)
Donor Relations | (818) 876-1977
Email us at info@mptf.com


Attending the 75th Annual District 2 Convention

by Jennifer Winslow

From left: Jennifer Winslow, Devendra Cleary CAS, Chris Howland CAS, Joe Aredas, and Scott Bernard


I was honored to attend my first IATSE District 2 Convention and represent Local 695. I was impressed by the solidarity in the room, and that despite our differences, we all came together to meet for a common goal.

The five delegates from 695 sat front and center, right next to the microphone! (Thanks to Scott Bernard.) We were all welcomed with a traditional Hawaiian blessing, and then the serious business began.

The first speaker was Art Pulaski, Executive Secretary-Treasurer, California Federation of Labor, who spoke on multiple assembly bills and how they could affect workers. One is aimed at dismantling the less-than-minimum-wage “gig economy.” He summarized Assembly Bill AB 5 and State Bill SB 271. Two potential laws that will help laborers,  especially in this economy.

Erika Dinkel-Smith was another impressive speaker, a lobbyist for the IATSE in Washington, D.C. She spoke about the Political Action Committee (PAC) and the importance of their work on Capitol Hill. She was dynamic and passionate about her role and position and, in my opinion, we are lucky she is part of our team.

During this three-day Convention, all of the speakers stressed the importance of strong labor unions, urging members and their leaders to continue pushing forward with our political involvement.

There was a timely speech by Malia Arrington, who talked about all forms of harassment, not just sexual harassment in the workplace. She informed us of steps being taken by “The Hollywood Commission,” spearheaded by Kathleen Kennedy and chaired by Anita Hill, to devise a protocol to replace the current gaps in protection of those who fall into this category. She reported that due to the “fluid nature” of our business, there isn’t a real protocol. There is a new “Report and Response System” being put in place industry-wide. Melia stated for there to be true safety from harassment in the workplace, a code of conduct, training, education, and practices are essential.

She stressed that “Systematic Cultural Change” takes time, however, this is a strong beginning and serious steps are being taken to protect workers in all aspects of the industry. Her speech was pretty heavy stuff, but ultimately, by continuing the discussion, we will all be able to recognize bad behavior when it happens, and step in to stop it before it causes any harm, as in the past.

At the end of the day, I was filled with information and exhausted.

On Day 2, IATSE President Matt Loeb took to the podium, you could hear a pin drop! He updated us on the work the International is doing in Washington, D.C., on behalf of labor, which is too extensive to elaborate in this column.

I was placed on the Resolutions Committee, to suggest new resolutions for the IATSE to implement. We were a group of about thirty-five, where we discussed, and then our committee voted on thirteen resolutions. We passed most of the resolutions, combining two and sending one back to the drawing board.

One of them was creating gender neutral language in the Constitution, and another was on healthcare; educating members about their health plans.

After this long day, we were treated to a fabulous luau at The Royal Hawaiian Garden, generously put together by our sisters and brothers of Hawaii Local 665. I got to try some new (to me) Hawaiian food, chat with fellow delegates, hear great live music, and see Polynesian fire dancers. But the most fun was watching our leaders try to hula. Scott and Joe were great sports!

Overall, the camaraderie and unity of the delegates from four very different states that comprised District 2 was remarkable. The powerful messages and the goals of this Convention will not be forgotten. We came together, in solidarity to empower workers and continue the fight to make unions stronger, especially in this anti-labor political climate.

The District 2 Convention was such a memorable and valuable experience for me personally, as a Local 695 member, an Officer of our Board of Directors, and as a Trustee. I definitely feel that my participation at the Convention has helped me to become a better leader and increased my ability to serve the membership.

I would urge every member to run as a delegate and attend a District 2 Convention.


IN MEMORIAM

Theodor Schelling
Y-7
March 22, 1948 – April 27, 2019

Stephen Dickhute
proj.
June 1, 1950 – April 2, 2019

Peter A. San Filipo
Y-1
August 12, 1931 – April 15, 2019

Dean Champlin
proj.
October 26, 1969 – July 8, 2019

Our Contributors

James Delhauer
James Delhauer was born in Southern California and never made it very far from home. Since 2014, he has worked as a television engineer specializing in Pronology’s mRes platform. He joined Local 695 because he desperately needed friends.


Richard Lightstone CAS AMPS
Richard began his career in Montreal, and continues to mix in Los Angeles. He is the co-editor of Production Sound & Video, served on the Executive Board of Local 695, and President of the Cinema Audio Society for two terms.


Jay Patterson CAS
Jay’s career in sound began in ‘65 as a child’s voice in radio, and has never stopped. He’s a Trustee of Local 695 and served five terms as VP, Chairperson, the Technical Trends Committee, and still mixing.


Eva Rismanforoush
Eva began working in sound while attending college in Northern California. Shortly after graduation, she joined Local 695 and is working as a Utility Sound Technician in Los Angeles. She has been the Co-chair of the Young Workers Committee since 2014.


Jim Tanenbaum CAS ATAS SMPTE Life Member
Jim’s half-century-plus career runs from Avatar to Zodiac, The House Of. Not wanting to “take his secrets to the grave,” he teaches at Local 695, UCLA, USC, AES, Art Center of Design, and in China, Japan, and Viet Nam. He writes articles for Production Sound & Video, The Coffey Files, and Mix.


Jennifer Winslow
Jennifer has been a member of Local 695 since 1990 and is currently serving as an Executive Board member and Trustee. A Utility Sound Technician and Boom Operator, some of her feature credits include Problem Child, Lone Star, and Be Cool. Her work in TV includes Star Trek: Deep Space Nine, Chicago Hope, and Dear White People.

From the Editors

The heat is on and welcome to the summer edition of Production Sound & Video. Bryan Cahill and Ken Strain continue their appraisal of exoskeletons, with an in the field review “Using an Exoskeleton in Real-World Settings.”

I contribute an article on the evolution of sound carts and those that build them with “The Sound Cart Builders.” Co-editor James Delhauer gives us two articles: “As Productions Go Online” and “The 2019 Mac Pro.”

Jim Tanenbaum delves into his informative “How I Got My Godlike Reputation Part 2.”

We report on the 2019 Sound Emmy nominations and the winners of the BAFTA Television Awards for Sound. Jennifer Winslow gives her impressions of being a delegate for the first time at this year’s 75th Annual District 2 Convention held in Hawaii.

Finally, Eva Rismanforoush contributes News & Announcements. This will be her final writing, as Eva has gotten too busy to continue. We thank Eva for all her time and incredible work. Jennifer Winslow picks up the mantle and will be contributing in the fall issue.  

Stay cool out there.

Fraternally,
Richard Lightstone &
James Delhauer

From the President

FLEXIBILITY IS THE IDEA…

A question that often comes my way is what are the options for members considering a change of work classification as their career progresses?

This is actually not a complicated area and one to consider as members plan their personal strategies.
 
There are a few situations when this applies, but the most common is when a member either feels ready to move into a different classification for professional satisfaction or when work opportunity in a different classification presents itself.
 
Remember, we are part of a community and mutual respect includes working within the guidelines of your current classification. If you’re making a change, you must follow the proper steps.

Local 695 works hard to balance the progression of an individual’s career within a framework of fairness to fellow members.

Members can elect to re-classify at their own discretion by following the proper procedure. As always, call the Local and speak to a representative to guide you through any such change.

If a member feels they might be ready to make a change to a different classification, we also provide a Temporary Re-classification option. This allows the “trial” change for thirty days at a minimal cost. This can be renewed one time for an additional thirty days. This gives the member a chance to evaluate their choice.

At the end of the temporary period, the member’s original classification will be automatically restored. If the experience fulfills the member’s expectations and they should decide to move forward with a permanent change, the member can then elect to do so by following the required procedure. Please be aware if the member is moving up to a higher classification, e.g., Boom Operator Y-8 to Production Mixer Y-1, then be prepared to have the applicable raise in dues and the additional difference in the current initiation fee required at the time of the change.
 
The issue of interchange is related to this discussion. Be aware not all of our classifications accommodate interchange. Although extremely reasonable, there are some contractual limits.

Of course, once again, please call the Local for guidance.
I’m including here the contract language from the Local 695 Basic Agreement (the red book) which every member should have a copy of for reference. The new edition based on the last contract cycle should be available soon, but the most recent past edition has the same language regarding this subject and can be found on pages 61 and 62.

12. Interchange of Job Classifications

(a) The following job classifications are interchangeable at the discretion of the Producer:
Among Occ. Code Nos. 8131 (Y-6), 8176 (Y-6), 8141 (Y-7), 8178 (Y-7), 8144 (Y-7a), 8180 (Y-7a), 8151 (Y-8) and 8181 (Y-8).
Among Occ. Code Nos. 8109 (Y-3), 8173 (Y-3), 8105 (Y-1) and 8171 (Y-1).
Among Occ. Code Nos. 8109 (Y-3), 8173 (Y-3), 8111(Y-4) and 8174 (Y-4).

(b) Occ. Code Nos. 8111 and 8174 (Y-4) employees may perform the work of Occ. Code Nos. 8131 (Y-6), 8176 (Y-6), 8141 (Y-7), 8178 (Y-7), 8144 (Y-7a) and 8180 (Y-7a) without reduction in rate of pay. Occ. Code Nos. 8144 and 8170 (Y-7a) employees can be assigned the work of Occ. Code Nos. 8141 (Y-7) and 8178 (Y-7).
Occ. Code Nos. 8161, 8182 (Y-9), Sound/Video Service Person Level III, Occ. Code Nos. 8194-8184 (Y-13), Sound/Video Service Person Level II and Occ. Code No. 8185 (Y-16) Sound/Video Service Person Level I are interchangeable at the discretion of the Producer.

(c) In the event Producer wishes to elevate an employee on daily calls between the interchangeable groups listed in subparagraphs (a) and (b) above, approval shall be obtained from the Union.

(d) In an emergency, any person covered under this Agreement can perform in any classification when approved by the Union.

(e) Producer may promote any person covered under this Agreement to any higher classification of work for a period of six (6) or more weeks.
Work time in either a higher or a lower classification shall be credited to fulfill the minimum call of the current classification.

(f) Projectionists shall be interchangeable with Occ. Code Nos. 4150 (Y-9) and 4118 (Y-9) and with all other employees covered under this Agreement. The IATSE agrees to resolve any internal Union matters (e.g., membership, payment of dues, roster standing, etc.) requiring resolution as a result of such interchange.

(g) Projectionists or any person employed under this Agreement, other than a Production Sound Trainee, may operate projection equipment on distant location.

(h) Persons covered under this Agreement shall be freely interchangeable in the performance of mechanical maintenance work.

(i) Any projection employee may be required to perform work in any projection job classification listed in the wage scale (Paragraph 1).

13. Working in Higher Classification
If any part of the workday is worked in a classification higher than the classification under which the employee is called for work, the higher rate shall prevail for the entire workday. The employee reverts to his regular classification on the following day unless notified to the contrary. However, the provisions of this Paragraph do not apply unless the employee is assigned to work in the higher classification for two (2) hours or more.

Mark Ulano CAS AMPS
President, IATSE Local 695

From the Business Representative

In the March 1953 issue of Local 695’s International Sound Technician magazine, Local 695 Video Engineer Murray Jarvis wrote, “While the video magnetic recording process is still in the experimental stage, great progress is being made toward its perfection by its enthusiastic developers. And while the resolution of the visual image produced by this process in its present form has restrictions, the industry is watching this with anxious interest for it has the potential to revolutionize the entire motion picture technique as we know it.” I wonder if Murray had any idea how prophetic his words would prove to be. Indeed, the industry and Local 695 continue to watch with interest as new techniques continue to be developed. One of the most interesting things we’re seeing now is a remake of the old process shot … the front- or rear-screen projection techniques that go all the way back to the 1930s.

However this time, Local 695 Video Projection Engineers are adding a few tricks. This new process is called “The Volume,” which is a 360-degree display created out of a huge array of video screens. Because the images are so good and so bright, we can now display a moving image that looks like you’re on location and not just shooting on stage. 695 Video Engineers are currently developing the software needed to allow these moving backgrounds, whether filmed images or computer-generated 3D renderings to travel in sync with the camera movement so as to perfectly recreate, and go far beyond, anything that can be shot on location. It’s exciting to see this amazing new process work in action and to see the new job opportunities it will offer to the Video Engineers of Local 695 and our sister Studio Mechanics Locals. You can read more about this new technology in the second quarter 2019 IATSE bulletin you received in July.

The March Video Caucus was an opportunity to discuss the new work opportunities arising from these enhancements in video playback techniques. On July 13, we held a craft meeting for all 695 members working on commercials.

We will continue to hold these meetings to stay in touch with issues unique to the type of production you work on. Watch for the emails about future meeting dates and times. I encourage you to come to these craft meetings to participate and bring your personal experience and expertise to share with your sisters and brothers.

Fraternally yours,

Scott Bernard
scottb@local695.com
Business Representative

Video Caucus

by James Delhauer

On March 30 of this year, almost fifty of the foremost video specialist members of Local 695 came together and held the Spring 2019 Video Caucus. The assembled specialists featured a diverse group of artists, each with their own sphere of expertise. Video Assist Technicians, Digital Media Managers, Playback Operators, Broadcast Video Engineers, and Projectionists all sat down with one another to take stock of the current state of affairs within both the union and the industry. Chaired by Vice President Jillian Arnold, the meeting served as an opportunity for workers across all fields to discuss their shared challenges on sets with local leadership and to explore constructive means of addressing those challenges. Local 695 Business Representative Scott Bernard, Recording Secretary and Education & Communications Director Laurence Abrams, Assistant Business Representatives Joe Aredas and Heidi Nakamura were all in attendance to field questions from the group and listen to feedback on how the Local can best serve the membership moving forward.

Throughout the day, a wide variety of topics were discussed, including how the evolution of technology has impacted the role of 695 workers, ways in which we can prepare for future developments in technology, maintaining our craft integrity, and means of effectively reporting contractual violations to the union.
 
Since the turn of the century, we have seen the technology that defines our industry growth at the prodigious rate. Innovations in digital cinema cameras, server-based media, LED projection panels, and web-based streaming platforms have altered the landscape of the video local. Digital video has come to be omnipresent on the set now, with modern workflows requiring monitors for most departments, digital dailies to be distributed across a variety of web-based platforms, terabytes of data to be captured and secured, and sometimes dozens of screens to be populated so they may be properly recorded on camera. For Local 695 Video, Playback, and Projection Artists—whose responsibilities include media playback, on-set chroma keying, off-camera recording, copying files from camera media to external storage devices, backup and redundancy creation, transcoding, and syncing—the changing technical needs require perpetual innovation. Our Video Engineers are at the forefront of the most bleeding-edge developments in service to our clients and our productions. Vice President Jillian Arnold stated that “Education is the key. Our membership needs to make sure it is abreast of what is coming out. If you can go to trade shows, go. Read every periodical you can. As the world continues to innovate, I know that the industry is finding that 695 techs not only have the knowledge required but have the passion and drive that makes them the best in the field. We need to continue that.”
 
To that end, the Local is committed to doing what it can to help. Recording Secretary and Education & Communications Director Laurence Abrams stated to the assembled workers, “We already offer free classes at the Local. And I want to offer more. If anyone has a need for training that would benefit our membership, come talk to me and we will try to put it together.”

But the growth of technology has not been without its drawbacks. In a time where digital media is such a prevalent force on the set, more and more 695 Video Engineers are finding their work being infringed upon by a variety of non-695 members. In fact, the majority of the caucus participants had personal anecdotes regarding others assuming their duties at work. Video Playback, on-set screen or projection work (sometimes referred to as 24-frame playback), and digital media management are all too often being mis-assigned to other departments, despite being long established duties of 695 workers. The widespread nature of these stories would suggest that these issues are not confined to a small series of isolated incidents.

Though technology has advanced and many displays are now outfitted with their own media playback devices, Local 695 specialists are trained in playback troubleshooting. Relying on others to do our jobs in order to save money can cause costly problems during productions. When the system goes down and plug and play doesn’t work, the whole shoot can come grinding to a halt and each minute that ticks away is an expensive waste of time. At that point, it is essential to bring in a 695 engineer who should have already been there from the start. A production that has tried to save itself money has lost more in the long run.

But the largest subject of craft integrity was the topic of digital media management. Every single media specialist in the room had a personal story in which they were told that they could not copy files from camera media to external drives because that is the responsibility of a Local 600 DIT.

This is factually incorrect.

In March of 2017, IATSE President Matthew Loeb issued a ruling on this very subject, stating that the tasks of copying files from camera media to external storage drives, backup creation, transcoding, applying previously created LUTS, quality control, and syncing and recording copies for dailies creation were all contained within the Local 695 Basic Agreement and that going forward, jurisdiction would be shared between the two Locals. Nonetheless, the misconception is still prevalent.

With all of these issues out in the open amongst 695 membership, the conversation turned to what to do next. The leadership was vocal about their intention to address these issues and will continue working on them for the membership. Scott Bernard will continue his diplomatic efforts with other Locals to ensure that 695 work is being done by 695 members. Going forward, Local 695 intends to hold additional video caucuses on a regular basis so that it can continue to gain valuable feedback and insight from its members and work to address issues in that area. In the interim, all members are encouraged to reach out to the Local if they have and questions, concerns, or comments.

News & Announcements

Politics

California Tax Incentive in Action

The California Film Commission announced on April 2, 2019, that eighteen film projects, including the big-budget Akira, have been selected for the latest round of tax credits under the state’s Film & TV Tax Credit Program 2.0.

Together, the projects (ten non-independent, eight independent) will generate an estimated $408 million in qualified expenditures (defined as below-the-line wages and payments to in-state vendors). Overall, in-state production spending will be significantly greater than qualified spending with the addition of above-the-line wages and other production expenditures that do not qualify for tax credits under Program 2.0.

Based on data provided with each tax credit application, the projects announced today will employ an estimated 2,575 crew, 812 cast, and 29,000 extras/stand-ins (the latter measured in “man-days”) over a combined seven hundred and forty shoot days in California.


Education

Community Outreach at LA City College

Alan Rowe (728), Lesli Lytle (44), Angela Whiting (44), Thom Davis (80), Assemblymember Adrin Nazarian, Lydia Graboski-Bauer (892), Doug Boney (871), Winona Wacker (600), Laurence Abrams (695), Bob Denne (729)

On April 11, 2019, more than one hundred attendees came to Los Angeles Valley College to learn about unions and about jobs that are available in the motion picture and television industry.

The event was organized by State Assembly member Adrin Nazarian from California’s 46th Assembly District and featured a group of panelists representing  Local 695, Property Local 44, Set Painters Local 729, Camera Local 600, Lighting Technicians Local 728, Script Supervisors Local 871, and Costume Designers Local 892.

The main presentation was by Laurence Abrams, 695’s Education & Communications Director, giving attendees a review of labor history in the US and showing why labor unions are still so important for the country’s economy and for the safety and security of the middle class. After that, each Local explained their respective crafts and talked about working in our industry.

This event was part of a growing effort by California’s IATSE Locals to reach out to surrounding communities, helping to develop diversity employment opportunities, as well as spread education and understanding about the role of unions in California’s huge and still-growing entertainment economy.


Young Workers

Third Annual YWC Environmental Cleanup

Top row: Brian Udoff, Jonathan Hong, Nathan Whitcomb, Mindy Trim. Bottom: Carolyn Benane, Ryan Murray, Matthew Borek


On April 20, 2019, members of Local 695 and more IATSE Young Workers Committee (YWC) members gathered at Bond Park to participate in FOLAR’s (Friends of the Los Angeles River) annual river cleanup. The nonprofit has been restoring the Los Angeles River since 1986. In 2018, FOLAR and friends removed over 120,000 lbs of plastic trash from the LA riverbed and prevented waste from harming marine life and polluting our beaches. Environmental activism is key to our health and safety and Local 695 is proud to be an active participant.YWC’s Co-chairs Aaron Eberhardt and Nathan Whitcomb frequently collaborate with our sister Locals and nonprofit organizations. IA solidarity and improving our members’ quality of life are on the forefront of the committee’s agenda. To participate or get information about upcoming events, please contact IATSE Local 695 or email ywc@local695.com


New Members

Local 695 welcomes its new members

Ian Cain    Y-3
Michael Kool    Y-1
Jason Batuyong    Y-1
Zachary Allen    Y-1
Don Thompson    Y-4
Thomas Doolittle    Y-7A
Josue Zeta Rojas    Y-1
Hugo Marcotte    Y-7A
Richard Novick    Y-7A
David Hoffman    Y-4
Alejandro Rodriguez    Y-1
Francisco Huizar    Y-7A
Jet Ladomade    Y-16
Eric Anthony    Y-8
Aaron Cooley    Y-1
Mike De Lorenzo    Proj.
Jose Adrian Sanchez    Proj.


In Memoriam

Ron Finkelstein
Proj.
November 9, 1945 – February 21, 2019

Patrick Coffey
Y-7A
February 3, 1938 – December 4, 2018

Donald J. Miller
Y-7A
November 5, 1932 – November 25, 2018

Kelly Rush  
Y-1
January 4, 1957 – March 15, 2019


Our Contributors

Agamemnon Andrianos CAS

A Production Sound Mixer for forty-six years, now finally retired! A ten-time Emmy and CAS nominee, served two terms on the 695 and CAS Executive boards. Currently enjoying the eclectic Northern Calfornia lifestyle. He has a continued interest in mentoring the next generation of sound mixers to be the best at their craft and a love for his Cantar recorders and their noble legacy.


Bryan Cahill

Bryan Cahill began his career in San Diego as the mixer on a documentary in Mexico with President Jimmy Carter. He moved to Los Angeles in 1990 and currently serves as Production Sound Administrator at Loyola Marymount University.


James Delhauer

James Delhauer was born in Southern California and never made it very far from home. Since 2014, he has worked as a television engineer specializing in Pronology’s mRes platform. He joined Local 695 because he desperately needed friends.


Eva Rismanforoush

Eva began working in sound while attending college in Northern California. Shortly after graduation, she joined Local 695 and is working as a Utility Sound Technician in Los Angeles. She has been the Co-chair of the Young Workers Committee since 2014.


Scott Smith

A forty-five-year veteran of the film and music business, Mr. Smith has recorded sound for more than forty film and TV shows. He received the first CAS Award for Best Feature Film Sound for his work on The Fugitive in 1994, and has been twice nominated for an Academy Award. Mr. Smith writes extensively on the history of film sound recording.


Jim Tanenbaum CAS ATAS SMPTE Life Member

Jim’s half-century-plus career runs from Avatar to Zodiac, The House Of. Not wanting to “take his secrets to the grave,” he teaches at Local 695, UCLA, USC, AES, Art Center of Design, and in China, Japan, and Viet Nam. He writes articles for Production Sound & Video, The Coffey Files, and Mix.


Stephen Tibbo CAS

Stephen A. Tibbo CAS is a Production Sound Mixer and Re-recording Mixer. He is a member of both Local 695 and Local 700. He currently works on the television show Modern Family. In addition to his work on set, Stephen works as an ADR and Re-recording Mixer on independent films and television. He has three Primetime Emmys and five CAS Awards for production sound mixing.


Photos courtesy of the respective contributors.

From the Editors

Welcome to the spring edition of Production Sound & Video. We are blossoming with content for your reading enjoyment.

Bryan Cahill writes about the introduction of exoskeletons for boom operators in the hope that this new technology will alleviate the physical stresses of long takes. Stephen Tibbo gives us his working philosophy on Modern Family.

Jim Tanenbaum returns with another of his very informative articles, “How I Got My Godlike Reputation Part 1.” Continuing with numbers, Scott Smith continues with “The Way We Were (Part 4).” Agamemnon Andrianos pens a personal tribute on the passing of Jean Pierre Beauviala, whose engineering brilliance brought us the Cantar recorder and the Aaton camera.

Our Co-editor, James Delhauer, reports on the recent Video Caucus. Eva Rismanforoush contributes “News & Announcements” and the sound award winners.

All in all, a jam-packed issue.

If you have a topic you would like to contribute to this publication, please email us at mag@Local695.com. Expanding the number of members writing for Production Sound & Video would be wonderful.

Fraternally,
Richard Lightstone &
James Delhauer

From the President

REALITY CHECK: Our Video Caucus Meeting

We’ve created an important forum. The Video Caucus establishes opportunity for dynamic discussion between members and the leadership about what is happening in the real world of our video members. Led by our Vice President and Video Engineer, Jillian Arnold, and other Board members, we will continue to schedule this type of town hall meeting on a regular basis. It’s instrumental in keeping the lines of communication open and keeping our support technique for members relevant.

For me, this is a solidarity moment. We should pause, review, and compare our personal experiences in our professional environments.

Quite a few attendees to the meeting described non-reporting of contract violations in our workplaces by our members. Roughly, three types of explanations came up in the conversation.  
1. Fear of employer reprisal
2. Unawareness of what is a violation
3. More significantly, what to do if members do witness a contract violation

This implies that for some of our members, there may be a misunderstanding of the mutual relationship between all of us as stakeholders in our local union.

As I see it, we all enter into a partnership with each other when we are sworn into membership. It’s a contract we commit to in good faith and it really goes to the heart of what a union should and can be…

It’s not a top-down thing, but a joining of enlightened self-interest. It is a bond of trust that we share and benefit from. And like all commitments, it carries some basic responsibilities.

This short but important checklist has helped me over the years:
Meet and know our union representatives. Call them up and say hello. They’re as passionate about their work as you are about yours. Don’t wait for some crisis to establish awareness of the team supporting you.

Like other items in your kit, reading the manuals is the doorway to mastering their operation. Read the contracts you’re working under. Read our Constitution and By-laws and know your rights and how your union functions.

Most importantly, if you don’t know the answer, ask someone who does. Speak up when it counts!

This is a street thing, not a lip-service thing.

What we can be saying to each other if we see any violation is, call it in to the Local with the confidence that you are doing so in privacy. You are part of a system of protecting yourself by protecting each other. You have trained professionals working for you at the union, at the ready to engage in securing your work jurisdiction when violated and can do so without placing you at risk. It’s their job and they’re good at it. But they cannot perform without the information you must provide.
 
Expand your thinking of this concept to remember that you’re part of the whole Local 695 unit. This means if you’re in sound, you’re also part of the video team and if you’re in video, you’re part of the sound team. No walls between you when it comes to the jurisdiction won by contract negotiations. We all want to be certain that Local 695 members perform 695 work. It is what puts food on your table, a roof over your head, and pays the doctor bills.

So … sound sisters and brothers, please don’t ignore video playback violations by non-Local 695 members when you see it. We are all affected by ignoring these things and the next wave of “I can do your job” won’t be isolated to any single classification. By saying nothing, we erode the ground we all stand on. And video sisters and brothers, resist that sense of isolation you may feel and reach out to your sound colleagues when you are stressed or at risk. Please team up when you can.

When you let us know what is happening, you become the essential part of the solution.

Thank you for listening.

E pluribus unum!

Mark Ulano CAS AMPS
President
IATSE Local 695

From the Business Representative

On Saturday, March 23, we held a very productive caucus with Local 695 Video Engineers. The turnout was amazing and the discussion was lively. What struck me the most while looking around at the women and men in the room, was the incredible expertise and talent they represent. The purpose of the caucus was to share with the membership the progress the office has made in representation of our video engineers, as well as a discussion of the issues our members are facing in job assignments that are often assigned to the wrong department. We also discussed new technologies that have increased the work opportunities for our members. Look for James Delhauer’s article covering the caucus in this issue.

On April 24, I traveled to Sacramento with the California IATSE Council (CIC) to testify before the Senate Labor, Public Employment, and Retirement Committee hearing on SB 271. Authored by Sen. Scott Wiener, SB 271 would ensure that California residents working on motion picture and television productions have access to the unemployment, disability, and paid family leave benefits which they are entitled to when they work on a production that takes them outside of California. The CIC is one of the chief sponsors of the legislation, and the bill passed the Committee with bipartisan support, the first step to get SB 271 passed and signed into law in 2019.

The Employment Development Department has difficulty in understanding what we do, and we are asking them to establish guidelines relevant to our industry, and to place a check box on their forms for motion picture workers.

We were in New York the last week of April as part of the Commercial Agreement Negotiation Committee for the AICP contract, where we addressed several issues that affect our members.

Please join us at our quarterly membership meetings if your schedule permits. This is a great opportunity to hear what’s going on at the Local, network, and to share your on-set experiences.

In solidarity,

Scott Bernard
scottb@local695.com
Business Representative

Local 695 Awards

CAS Award Nominees

On January 8, 2019, the Cinema Audio Society announced the nominees for the 55th Annual CAS Awards for Outstanding Achievement in Sound Mixing for 2018 in seven categories.
 
The winners will be revealed at the 55th Annual CAS Awards Saturday, February 16, 2019, InterContinental Los Angeles Downtown Hotel – Wilshire Grand Ballroom, Los Angeles, California

Names in BOLD are Local 695 Members

Motion Pictures – Live Action

A Quiet Place
Production Mixer: Michael Barosky
Re-recording Mixer: Brandon Proctor
Re-recording Mixer: Michael Barry CAS
Scoring Mixer: Tyson Lozensky
ADR Mixer: Bob Lacivita
Foley Mixer: Peter Persaud CAS
Production Sound Team: Frank Graziadei, John-Paul Natysin

A Star Is Born
Production Mixer: Steven A. Morrow CAS
Re-recording Mixer: Tom Ozanich
Re-recording Mixer: Dean Zupancic
Scoring Mixer: Jason Ruder
ADR Mixer: Thomas J. O’Connell
Foley Mixer: Richard Duarte
Production Sound Team: Craig Dollinger, Michael Kaleta, Nick Baxter

Black Panther
Production Mixer: Peter Devlin CAS
Re-recording Mixer: Steven Boeddeker
Re-recording Mixer: Brandon Proctor
Scoring Mixer: Christopher Fogel CAS
ADR Mixer: Doc Kane CAS
Foley Mixer: Scott Curtis
Production Sound Team: David Raymond, Jason C. Lewis

Bohemian Rhapsody
Production Mixer: John Casali
Re-recording Mixer: Paul Massey
Re-recording Mixer: Tim Cavagin
Re-recording Mixer: Niv Adiri CAS
Production Sound Team:
Chris Murphy, Joe Nattrass

First Man
Production Mixer: Mary H. Ellis CAS
Re-recording Mixer: Jon Taylor CAS
Re-recording Mixer: Frank A. Montaño
Scoring Mixer: Ai-Ling Lee CAS
ADR Mixer: Thomas J. O’Connell
Foley Mixer: Richard Duarte
Production Sound Team:
James Peterson, Nikki Dengel

Motion Pictures – Animated

Incredibles 2
Original Dialogue Mixer:
Vince Caro CAS
Re-recording Mixer:
Michael Semanick CAS
Re-recording Mixer: Nathan Nance
Scoring Mixer: Joel Iwataki
Foley Mixer: Scott Curtis

Isle of Dogs
Original Dialogue Mixer: Darrin Moore
Re-recording Mixer:
Christopher Scarabosio
Re-recording Mixer: Wayne Lemmer
Scoring Mixer: Xavier Forcioli
Scoring Mixer: Simon Rhodes
Foley Mixer: Peter Persaud CAS

Ralph Breaks the Internet
Original Dialogue Mixer/
Re-recording Mixer:
Gabriel Guy CAS
Re-recording Mixer:
David E. Fluhr CAS
Re-recording Mixer:
Alan Meyerson CAS
ADR Mixer: Doc Kane CAS
Foley Mixer: Scott Curtis

Spider-Man: Into the Spider-Verse
Original Dialogue Mixers:
Brian Smith, Aaron Hasson,
Howard London CAS
Re-recording Mixer:
Michael Semanick CAS
Re-recording Mixer:
Tony Lamberti CAS
Scoring Mixer: Sam Okell
Foley Mixer: Randy K. Singer CAS

The Grinch
Original Dialogue Mixer:
Michael Miller CAS
Re-recording Mixer: Gary A. Rizzo CAS
Re-recording Mixer: Juan Peralta
Scoring Mixer: Noah Scot Snyder
Foley Mixer: Blake Collins CAS

Motion Pictures – Documentary

Fahrenheit 11/9
Production Mixer: Mark Roy
Re-recording Mixer: Andy Kris
Re-recording Mixer: Lee Salevan
Re-recording Mixer: Skip Lievsay CAS
Production Sound Team: Tammy Douglas, Shawn Lind, Daniel McMullen

Free Solo
Production Mixer: Jim Hurst
Re-recording Mixer:
Tom Fleischman CAS
Re-recording Mixer: Ric Schnupp
Scoring Mixer: Tyson Lozensky
ADR Mixer: David Boulton
Foley Mixer: Joana Niza Braga

Quincy
Production Mixer: Al Hicks
Re-recording Mixer:
Jonathan Wales CAS
Production Sound Team:
Corey Brown

They’ll Love Me When I’m Dead
Production Mixer: Rob Filmore CAS
Re-recording Mixer:
Brian Riordan CAS

Won’t You Be
My Neighbor?

Production Mixer: Pete Horner
Re-recording Mixer: Jeff King
Production Sound Team:
Arjun Banga, Steve Bores, Dennis Hamlin, Jade Howard, Dan Mazur, Richard K. Pooler, Anne Pope, Craig Rhee, Chris Rudyk, John Sessoms, Qiao Xin

Television Movie or Limited Series

American Crime Story:
The Assassination of Gianni Versace 
(Part 1)
“The Man Who Would Be Vogue”
Production Mixer: John Bauman CAS
Re-recording Mixer: Joe Earle CAS
Re-recording Mixer: Doug Andham CAS
ADR Mixer: Judah Getz CAS
Foley Mixer: Arno Stephanian
Production Sound Team:
Kevin Cerchiai

Escape at Dannemora:
Episode 101  

Production Mixer: Thomas Nelson CAS
Re-recording Mixer: Bob Chefalas
Re-recording Mixer: Jacob Ribicoff
Scoring Mixer: John Chapman
ADR Mixer: Kris Chevannes
Foley Mixer: George A. Lara CAS
Production Sound Team: Julie Wilde, David Tirolo

Fahrenheit 451
Production Mixer: Henry Embry CAS
Re-recording Mixer: Tom Fleischman CAS
Re-recording Mixer: Jacob Ribicoff
ADR Mixer: Mark DeSimone CAS
Foley Mixer: George A. Lara CAS
Production Sound Team: Pat Cassin, Derek Bohne

Genius: Picasso
“Chapter 1”

Production Mixer: Tamás Csaba CAS
Re-recording Mixer: Bob Bronow CAS
Re-recording Mixer: Mark Hensley
ADR Mixer: Beau Emory
ADR Mixer: Matt Hovland
Production Sound Team:
Andrea Pasqualetti

The Romanoffs
“House of Special Purpose”

Production Mixer: Mark Weber CAS
Re-recording Mixer: Larry Benjamin CAS
Re-recording Mixer: Kevin Valentine
ADR Mixer: Chris Navarro CAS
ADR Mixer: Michael Miller CAS
Foley Mixer: David Jobe CAS
Production Sound Team: Thomas Cervenka, Alexander Turner, Ondrej Jirsa

Television Series – One Hour

Better Call Saul
“Talk”

Production Mixer: Phillip W. Palmer CAS
Re-recording Mixer:
Larry B. Benjamin CAS
Re-recording Mixer: Kevin Valentine
ADR Mixer: Chris Navarro CAS
Foley Mixer: Stacey Michaels
Production Sound Team: Mitchell Gebhard, Steven Willer

Ozark
“The Badger”

Production Mixer: Felipe Borrero CAS
Re-recording Mixer:
Larry B. Benjamin CAS
Re-recording Mixer: Kevin Valentine
Scoring Mixer: Phillip McGowan CAS
ADR Mixer: Matt Hovland
Foley Mixer: David Torres CAS
Production Sound Team:
Akira Fukusawa

The Handmaid’s Tale
“Holly”

Production Mixer: Sylvain Arseneault CAS
Re-recording Mixer: Lou Solakofski
Re-recording Mixer: Joe Morrow
Scoring Mixer: Adam Taylor
ADR Mixer: Mark DeSimone CAS
Foley Mixer: Jack Heeren

The Marvelous Mrs. Maisel
“Vote for Kennedy,
Vote for Kennedy”

Production Mixer: Mathew Price CAS
Re-recording Mixer: Ron Bochar CAS
Re-recording Mixer: Michael Miller CAS
ADR Mixer: David Boulton
Foley Mixer: Steven Visscher
Production Sound Team:
Carmine Picarello

Westworld
“The Passenger”

Production Mixers: Geoffrey Patterson CAS, Roger V. Stevenson CAS
Re-recording Mixer: Keith Rogers CAS
Re-recording Mixer: Andy King CAS
ADR Mixer: Michael Botha
Foley Mixer: Michael Head
Production Sound Team:
David Raymond, Zach Wrobel,
Larry Commans 
Utah unit:
Brandon Loulias, Sara Glaser

Television Series – Half-Hour

Ballers
“The Kids Are Alright”

Production Mixer: Scott Harber CAS
Re-recording Mixer:
Michael Colomby CAS
Re-recording Mixer:
Richard Weingart CAS
ADR Mixer: Michael Miller CAS
Foley Mixer: James Howe
Production Sound Team:
Patrick Martens, Erik Altstadt

Barry
“Loud, Fast, and Keep Going”

Production Mixer:
Benjamin A. Patrick CAS
Re-recording Mixer:
Elmo Ponsdomenech CAS
Re-recording Mixer: Todd Beckett CAS
Scoring Mixer: David Wingo
ADR Mixer: Aaron Hasson
Foley Mixer: John Sanacore CAS

Modern Family
“Did the Chicken Cross the Road”

Production Mixer:
Stephen A. Tibbo CAS
Re-recording Mixer: Dean Okrand CAS
Re-recording Mixer: Brian R. Harman CAS
ADR Mixer: Matt Hovland
Foley Mixer: David Torres CAS
Production Sound Team: Srdjan Popovic, William Munroe, Dan Lipe

Mozart in the Jungle
“Domo Arigato”

Production Mixer: Ryotaro Harada
Re-recording Mixer: Andy D’Addario
Re-recording Mixer: Chris Jacobson CAS
ADR Mixer: Patrick Christensen
Foley Mixer: Gary DeLeone

Silicon Valley
“Fifty-One Percent”

Production Mixer:
Benjamin A. Patrick CAS
Re-recording Mixer:
Elmo Ponsdomenech CAS
Re-recording Mixer: Todd Beckett CAS
Scoring Mixer: Oren Hadar
ADR Mixer: Aaron Hasson
Foley Mixer: Aran Tanchum
Production Sound Team:
Ken Strain, Brenton Stumpf

TELEVISION NON-FICTION, VARIETY, MUSIC SERIES or SPECIALS

Anthony Bourdain: Parts Unknown
“Bhutan”

Re-recording Mixer:
Benny Mouthon CAS

Carpool Karaoke: Primetime Special 2018
Production Sound Mixer:
William Kaplan
Production Sound Mixer:
Scott Smolev
Foldback Mixer: Chris Maddalone
Scoring Mixer: Otto Svoboda

Deadliest Catch
“Last Damn Arctic Storm”

Re-recording Mixer:
Bob Bronow CAS

Jesus Christ Superstar Live in Concert
Production Mixer: Tom Holmes
Re-recording Mixer:
Brian Flanzbaum
Re-recording Mixer:
Christian Schrader
Re-recording Mixer: Ellen Fitton
Scoring Mixer: John Harris
ADR Mixer: Anthony Lalumia

The Late Show with Stephen Colbert
Production Mixer:
Pierre DeLaforcade
FoH Mixer: Tom Herman
Monitor Mixer: Al Bonomo
Scoring Mixer: Harvey Goldberg


Oscar Nominees

The 91st Academy Awards ceremony, presented by the Academy of Motion Picture Arts and Sciences (AMPAS), will honor the best films of 2018 and will take place at the Dolby Theatre in Hollywood, Los Angeles, California. The ceremony will be held on February 24, 2019. Local 695 congratulates the nominees!

Best Sound Mixing

Black Panther
Steve Boeddeker, Brandon Proctor
and Peter Devlin
Production Sound Team:
David Raymond, Jason C. Lewis

Bohemian Rhapsody
Paul Massey, Tim Cavagin
and John Casal
Production Sound Team:
Chris Murphy, Joe Nattrass

First Man
Jon Taylor, Frank A. Montaño,
Ai-Ling Lee and Mary H. Ellis
Production Sound Team:
Nikki Dengel, James Peterson,
Reagan Wexler

Roma
Skip Lievsay, Craig Henighan
and José Antonio García
Production Sound Team:
Ernesto Munoz

image is approved for 9.10.18 fall movie preview use with permission nicholas.ritchie@warnerbros.com A Star is Born Bradley Cooper and Lady Gaga

A Star Is Born
Tom Ozanich, Dean Zupancic,
Jason Ruder and Steve Morrow
Production Sound Team:
Craig Dollinger, Michael Kaleta,
Nick Baxter


BAFTA Award Nominees

The 72nd British Academy Film Awards, the BAFTAs, will be held on February 10, 2019, at the Royal Albert Hall in London, honoring the best national and foreign films of 2018. Presented by the British Academy of Film and Television Arts, accolades will be handed out for the best feature-length film and documentaries of any nationality that were screened at British cinemas in 2018. Like last year, actress Joanna Lumley will host the awards ceremony.

The nominees were announced on January 9, 2019. Local 695 Congratulates all the nominees!

Best Sound

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Bohemian Rhapsody
John Casali, Tim Cavagin,
Nina Hartstone, Paul Massey,
John Warhurst
Production Sound Team:
Chris Murphy, Joe Nattrass,
Jerome McCAnn, Dash Mason-Malik

First Man
Mary H. Ellis, Mildred Iatrou Morgan, Ai-Ling Lee, Frank A. Montaño,
Jon Taylor
Production Sound Team:
Nikki Dengel, James Peterson, Reagan Wexler

Mission: Impossible – Fallout
Gilbert Lake, James H. Mather, Christopher Munro,
Mike Prestwood Smith
Production Sound Team:
Lloyd Dudley, Jim Hok, Gauthier Isern, Hosea Ntaborwa, Steve Harris,
Jim McBride

A Quiet Place
Erik Aadahl, Michael Barosky,
Brandon Procter, Ethan Van der Ryn
Production Sound Team:
Frank Graziadei, John-Paul Natysin, Jonathan Walter Reyes,
Luke Q. Iaciafnao

A Star Is Born
Steve Morrow, Alan Robert Murray, Jason Ruder, Tom Ozanich,
Dean Zupancic
Production Sound Team:
Craig Dollinger, Michael Kaleta, Nick Baxter, Antoine Arvizu


Sixth Annual AMPS Awards

Local 695 congratulates the nominees for the sixth annual awards presented by The Association of Motion Picture Sound (AMPS).

AMPS Nominees

Excellence in Sound for a Feature Film

A Quiet Place
Michael Barosky, Frank J. Graziadei, Robert Jackson, Ethan Van Der Ryn, Brandon Proctor
Production Sound Team:
John-Paul Natysin,
Luke Q. Iaciofano

A Star Is Born
Steve Morrow, Craig Dollinger, Kira Roessler, Alan Robert Murray, Tom Ozanich
Production Sound Team:
Michael Kaleta, Nick Baxter

Bohemian Rhapsody
John Casali AMPS, Chris Murphy, Nina Hartstone AMPS, John Warhurst, Paul Massey
Production Sound Team:
Joe Nattrass

First Man
Mary H. Ellis, James Peterson, Susan Dawes, Ai-Ling Lee,
Jon Taylor
Production Sound Team:
Nikki Dengel, Alexander Lowe, Reagan Wexler, Julian Cabrera, Jason Sullivan

Roma
Jose Antonio Garcia, Ernesto Munoz, Carlos Honc Navarro,
Sergio Diaz, Skip Lievsay


CAS Outstanding Product Award Nominees

Production

Aaton: Cantaress
Dan Dugan Sound Design: Dugan Automixing in Sound Devices 633 Compact Mixer
Denecke, Inc.: JB-1 Compact Timecode Generator
Lectrosonics: SMWB Series Wideband Transmitter
Sound Devices, LLC: A10 Digital Wireless System

Post-Production

Audionamix: IDC (Instant Dialogue Cleaner)
Exponential Audio: Stratus 3D and Symphony 3D Reverbs
iZotope, Inc.: RX 7
Sound Particles: Doppler + Air
Todd-AO: Absentia DX

Tech Trends Committee

The Technical Trends Committee

2018 has come and gone, and so has much of the spectrum “real estate” we have used for wireless mic use. After the Spectrum Incentive Auction, not only did we lose the 600 MHz band, but the allowable FM deviation for any transmitter made after September was reduced from 75 KHz to the EU standard of 50 KHz. As each broadcast UHF station that operated in the 600 MHz band is “re-packed” into the 500 MHz band, we lose another 6 MHz of usable spectrum.

Scanning the spectrum one wants to use before turning transmitters on should be considered mandatory. If one is using transmitters in the 600 MHz band, be on the lookout for a sudden loss of usable spectrum due to broadband use (primarily T-Mobile), and if one is using transmitters in the 500 MHz band, be on the lookout for a digital UHF station going on the air.

Anecdotally, here in Los Angeles, on December 12, 2018, my company was shooting splits, I had thirteen transmitters operating in the 500 MHz band (Lectro A1 & A2, blocks 19 through 22) and all was well. Came back from dinner and two channels in Lectro block 20 were unusable! An hour earlier all was fine, but while we were eating, a digital UHF station, re-packed into UHF 24 (530 MHz to 536 MHz – KPXN) started transmitting. I scanned and saw the channel, and with the help of FrequencyFinder, found two other slots that were free and didn’t present IM issues. Los Angeles is also set to lose UHF 25 (536 MHz to 542 MHz – KVEA), which straddles Lectro A1 & A2—blocks 20 & 21.

Lastly, where this column usually ends with the shout “Get your Part 74 license!” to my knowledge, the FCC has not issued any new Part 74 licenses since the auction. The Local 695 web pages for applying for the license are down, pending a successful application under the new codes being issued. When the pages are once again active, it will be announced, and these pages will be open for all professionals in the entertainment field who use transmitters in UHF, union and nonunion. Local 695’s membership feels that obtaining a license is so important that it happily makes these pages available to all.

Become a contributor!

If you have an insight or detect a coming trend,
feel free to contribute!

Trends, comments, or questions can be sent to:
techtrends@local695.com

News & Announcements

Politics


Good News for US Labor Unions

Less than a year ago, we reported on a congressional bill, H.R. 785, the National Right-to-Work (RTW) Act. H.R. 785 aims at defunding and decimating public and private sector labor unions on a federal level. Since its introduction to the House floor in March of 2017, it has gained 129 Republican co-sponsors and is currently under review by the House Committee of Education and Workforce.

Last year’s Republican stronghold in the House and Senate was an impasse for organized labor. However, the midterms of November 2018 turned the tides in the House of Representatives. Moving the bill into the Senate requires a simple majority of 218 of 435 votes. As of January 2019, Republicans only hold 199 seats in the House. The odds of this bill reaching the Senate are significantly lower than in the last election cycle, however, supporters of right-to-work legislation are very well funded and relentless in their mission. Since 1946, twenty-seven states have adopted right-to-work laws in an effort to destroy American unions.


The Democratic House majority is a welcome temporary roadblock against the National Right-to-Work bill, but the think tanks responsible for crafting the legislation have been quite successful in implementing RTW laws in individual states and will remain vigilant in the 2020 Congressional election.

To view all co-sponsors and actions for H.R. 785, please visit congress.gov.


IATSE Local 695 Supports UTLA Teachers

During the week of January 14, 2019, Local 695 officers and the Young Workers Committee adopted East Valley STEM High School in support of the United Teachers of Los Angeles.

Joe Aredas, Lawrence B. Abrams, Heidi Nakamura, Aaron Eberhardt, Monson Douglas, and Scott Bernard on the picket line supporting UTLA Teachers on strike.

Community


LA Sound Mixers 2019 Coffee Kickoff

Gene Martin and the Audio Department crew deserve a huge thank-you for allowing us to overrun their place of business for this event on January 2, 2019. Seventy-eight people came out making this the largest Coffee Kickoff. This brings the sound community back together after our holiday hiatus. Copious amounts of caffeine were consumed, new friendships were made, and old relationships were strengthened. This was the third event which was organized by Chris Howland CAS.


LA Sound Mixers Holiday Brunch & Brews 2018

The LA Sound Mixers Holiday Brunch & Brews event took place on December 9, 2018, with one hundred and forty-two people in attendance. Everyone had a wonderful opportunity to reconnect with old friends and reflect on 2018. This marks the fifth year for the event which was capped off by an audio manufacturer-sponsored raffle. The event was organized by CAS members Chris Howland, Steve Morantz, and Devendra Cleary.


Young Workers


Welcome New Members!

Cheyenne Wood, Heather Fink, John Wassel, Phil Jackson, Steven Allmendinger, Monson Douglas, Zachary Porter, and Grant Greene, welcome to the Local 695 Young Workers Committee!

Join us for the annual HomeWalk 2019! Like last year, we will again join forces with our fellow I.A.T.S.E. locals and Angelinos for the United Way annual fundraiser to end homelessness in Los Angeles. The 5k run/walk will kick off in Grand Park DTLA on Saturday, May 18, 2019. Over the last decade, HomeWalk participants raised more than $8.6 million and housed 19k people.
For registration, please contact us at
ywc@local695.com or visit
https://homewalk.unitedwayla.org


New Members


Local 695 Welcomes Its New Members

Evan L. Eder    Y-1
Samuel Young    Y-1
Raed Hassouneh    A2/SB
Cheyenne Wood    Y-4
Jeffrey Tungyoo    Y-4
Joshua Gardner    A2/SB
Lara Jessen    Y-4

Thi Dinh    Y-1
Kevin Coons    Y-8
Ian Gutierrez    A2
Ivan Zabaluyev    Y-7A
Doug Pearson    Y-1

Joe Sanchez    Y-1
Peter Joyce    Y-4
Matthew Brucell    Y-3
Justin White    Y-4
Maksim Osadchenko    Y-4
Christopher Haynes    Y-4


In Memoriam


Walter Gest
Y-9
March 13, 1929 – November 13, 2018

Our Contriubutors

James Delhauer

James Delhauer was born in Southern California and never made it very far from home. Since 2014, he has worked as a television engineer specializing in Pronology’s mRes platform. He joined Local 695 because he desperately needed friends.


Aaron Eberhardt

Aaron Eberhardt has highly enjoyed working as both a Production and Post-production Mixer in Los Angeles since 2009. He works primarily on feature films, commercials, and television for such companies as CBS, NBCUniversal, Disney, ESPN, and many others. When he’s not sound mixing, he enjoys writing product reviews for Sound and Picture magazine, strolling along with his delightful wife and fluffy white dog named Samwise Gamgee, mountain biking, and performing in theatre around the Greater Los Angeles area.


Daron James

Daron James is a veteran journalist having written about the film and television industry for over a decade. He’s currently seeking the best sope in Los Angeles, CA


Jay Patterson CAS

Jay’s career in sound began in ‘65 as a child’s voice in radio, and has never stopped. He’s a Trustee of Local 695 and served five terms as V.P. Chairperson, the Technical Trends Committee, and still mixing.  


Eva Rismanforoush

Eva began working in sound while attending college in Northern California. Shortly after graduation, she joined Local 695 and is working as a Utility Sound Technician in Los Angeles. She has been the Co-chair of the Young Workers Committee since 2014.


Scott Smith

A forty-five-year veteran of the film and music business, Mr. Smith has recorded sound for more than forty film and TV shows. He received the first CAS Award for Best Feature Film Sound for his work on The Fugitive in 1994, and has been twice nominated for an Academy Award. Mr. Smith writes extensively on the history of film sound recording.


Photos courtesy of the respective contributors.

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5439 Cahuenga Boulevard
North Hollywood, CA 91601

phone  (818) 985-9204
email  info@local695.com

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