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IATSE Local 695

Production Sound, Video Engineers & Studio Projectionists

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Departments

News & Announcements

New Academy Members

Congratulations to Local 695 members Pud Cusack and Lisa Pinero for their invitation to membership in the Academy of Motion Picture Arts and Sciences.


Welcome New Members

Kayla Croft, Y-1
Terrell Taihe Miller, Y-4
Morgan Hobart, Y-8
Keith Little, Y-1
Alexander Brayman, Y-1
Mac McAlpin, Y-7
David Napoli, Y-4
Logan Shepard, Y-1
Michael McCurdy, Y-16
Michael St. Hilaire, Y-1
Christopher Robbins, Y-1
Detdrich McClure, Y-1
Justin Junior, A2
Benjamin Mischke, Y-4
William “Willie” Tipp, Y-4


President Loeb Appoints Scott Bernard

Local 695 Business Representative Scott Bernard was appointed by IATSE President Matthew Loeb to serve as a Labor Director on the Motion Picture Industry Pension and Health Plans. Additionally, he was appointed to serve on the Audit and Collections Committee and the Benefits/ Appeals Committee on the MPIPHP Plans.


YWC Helps Stamp Out Hunger

The Local 695 Young Workers Committee organized a group on May 21 to volunteer at the National Association of Letter Carriers’ Stamp Out Hunger Food Drive, co-sponsored by the AFL-CIO and the United Way.


MPTF Day at the Races

The 5th Annual Day at the Races will be held on Saturday, October 22, 2016, at Santa Anita Park in Arcadia. There will be fun activities for the kids, raffles and a silent auction in addition to the horse races. All proceeds from the event will benefit MPTF and sustain the safety net of programs and services that are provided to fellow industry members in times of need. More information and tickets are available at mptf.com/datr. Tickets include admission, parking, race program and lunch buffet.


SAVE THE DATE!

The next General Membership Meeting is scheduled for 10 a.m. on Saturday, October 15, 2016, at the Local 80 Stage, 2520 W. Olive Avenue in Burbank.


IN MEMORIAM

RONALD L. COLLINS
Y-1 Sound Mixer
March 5, 1939 – August 2, 2016

ROGER J. PIETSCHMANN CAS
Y-1 Sound Mixer
March 27, 1945 – July 26, 2016

Our hearts are heavy to report the passing of Sound Mixer Roger Pietschmann, who succumbed to multiple system atrophy on July 26. Roger was 71.

Son of Sound Mixer and Cinerama pioneer Richard Pietschmann, Roger first started working in New York in the 1970s, where he served as a recordist on films like Taxi Driver and The Front. He moved to Los Angeles and enjoyed a successful career as a Boom Operator for feature films, lending his skills to PeeWee’s Big Adventure, Project X and The Seventh Sign. In the 1990s, Roger progressed in his career to Sound Mixer and enjoyed success mixing a variety of movies and television shows. His credits include Honey, I Blew Up the Kid, Family Law, The Division, Sleeper Cell, Dirt and Dexter.

Having worked with Roger for several years as his Boom Operator, I am particularly affected by his passing, and not just because I’ll never hear my caller ID try to pronounce his name again. Roger was one of the good guys, an unflappable man who was able to maintain his sense of humor and dignity through the most stressful of situations. He always insisted that we have fun despite the long hours and pressure inherent to production. He had great taste in music and food and people and was one of the giants of heart and soul.

Roger is survived by his wife Andrea and daughter Devin.

–Patrick Martens

DAVID M. SCHNEIDER
Y-1 Sound Mixer
December 9, 1958 – August 2, 2016

David liked to be referred to as a “Sound Technician.” He came up thru the ranks as a Utility, Boom Operator and then Sound Mixer.

Dave was a mixer that would always jump in and help his guys if needed. Running video cables, antennas, moving the cart, etc., were never an issue. He would just do whatever it takes to never slow down production.

David was also very meticulous. His soldering skills were impeccable, making some of the cleanest cables I’ve ever seen. He also had an astounding ear. Dave had so much passion in his craft, it was contagious. It wasn’t about getting good sound but great sound.

David had a gift for empathy; he could relate to almost anybody, and he prided himself on this ability. It drew people to him on the set, and was a big part of why he was so well loved. Anybody could talk to David, and he loved to talk. Those few who resisted were a challenge to his charms that he gladly took on, to sometimes hilarious results; he was also a world-class practical joker. A personality like that is an asset to any sound crew—in fact, to any crew.

Dave was a great guy who loved doing sound and loved working on a set. They don’t make them like him very often. To say he will be missed is an understatement.

David leaves behind his wife Martha, daughter Josie, sons Jonah and Jarrett, and stepdaughters Aubrey and Caitlin.

–Ross Levy, Andy Rovins CAS and Rob Scott

Contributors

Contributors to this edition

JILLIAN ARNOLD
Jillian is a video engineer, who specializes in digital acquisition, media management and workflow solutions. Her love for the technical side of filmmaking emerged at NASA’s Jet Propulsion Laboratory as a video technician for the Mars Program.

RICHARD LIGHTSTONE CAS AMPS
Richard began his career in Montreal and continues to mix in Los Angeles. He is currently on the Executive Board of Local 695, a co-editor of Production Sound & Video and a former President of the Cinema Audio Society.

PEGGY NAMES
Peggy Names has been a member of IATSE Local 695 since 1977. Ms. Names is serving her second term as Trustee of the Local and is Chair of the Building Committee. Peggy has spent most of her career working on movies with a few television, commercial and motion-capture projects thrown in to mix it up. Ms. Names hung up her boom but is still very active at the Local.

JAY PATTERSON CAS
Jay Patterson has been involved in sound for radio, television, stage and film ever since he began as a voice talent in radio at age eleven in 1965. A Cinema Audio Society Award winner, he is serving his fifth term as VP of Local 695, and is Co-chair of the Technical Trends Committee.

BILL RUCK
Bill Ruck, a native San Franciscan, has been a Broadcast Engineer since the mid-1970s. His career includes KUSF, KJAZ, KALW, NPR-West and Susquehanna Radio for twenty one years (KFOG, KNBR, KSAN and KTCT) as Engineering Manager. Bill is the Chair of the Northern California Frequency Coordinating Committee overseeing the use of Part 74 Broadcast Auxiliary frequencies. Mr. Ruck is a volunteer with the Maritime Radio Historical Society, a former RCA Coast Marine Station KPH, now part of Point Reyes National Seashore. Bill Ruck is the 2014 Bay Area Radio Hall of Fame inductee chosen by Chapter 40 of the Society of Broadcast Engineers. Bill poses in front of a WWII vintage PW-15 transmitter restored and in service at KPH.

Photos courtesy of the respective contributors

From the Business Representative

WHY SHOULD I JOIN A UNION?

I get asked this question many times. There are still people who do not understand the benefits of joining a union. I could list a hundred reasons why unions matter, but I’ll stick to the core seven.

1. Money: Generally speaking, union jobs pay more than nonunion jobs. Yes, IATSE does have several contracts that have lower wages than the Basic Agreement, but these shows would have even lower wages if they were nonunion, and there would be no benefits. Union jobs generally pay significantly more than nonunion jobs. If you ask any nonunion employer why they don’t sign a union contract, they’ll tell you they don’t want to pay better wages and provide benefits.

2. Benefits: Health insurance, pensions, individual retirement account plan, holidays, overtime premiums. These are only some of the benefits enjoyed by IATSE union members. As a member, you have access to the Motion Picture & Television Fund, The Actors Fund and many other resources to help you when times are tough. If you need training for a new career outside the motion picture industry, it can be provided through the Motion Picture & Television Fund. Both of these organizations have helped hundreds of Local 695 members in times of need.

3. Safety: A union contract gives employees the immediate right to address unsafe conditions. If you ever encounter an unsafe working condition on production, call this Local’s office immediately or call the IATSE 24- hour IATSE Safety Hotline at (844) 422-9273. No job is worth risking serious injury or even losing your life.

4. Dignity: Union workers are treated better than nonunion workers. Employers have a Collective Bargaining Agreement (CBA) with working conditions they must follow. This helps to even the playing field between the employer and union members. The employer knows if they violate the CBA, the union has the right to file a grievance to protect the rights of their members working under the CBA.

5. Security: The CBA gives members a level of security that nonunion employees do not enjoy. If you are fired improperly from your job, the union will represent you. Unions have been at the forefront of ending the barriers that held back women and minorities.

6.Training: Union workers have better training and as a result, are better employees. Union members have additional training available to them to allow them to FROM THE BUSINESS REPRESENTATIVE move up to higher paying positions. Employers realize the benefits of hiring a trained union worker.

7. Activism: You must get involved with your union and support the politicians who stand up in support of the Middle Class. It’s not a coincidence that the decline of the Middle Class began with the decline of union membership. That decline has meant more citizens are working in lower wage jobs, without health insurance and without the means to save for retirement.

Unions matter today more than ever if we want to rebuild the Middle Class. In November, you have choices to make. Who do you want in a government office to represent you and the working men and women of this country? We must vote for the politicians that stand up for Labor, that stand up for the working Middle Class. Don’t continue to elect the same people who don’t support unions and the Middle Class.

I quote IATSE President Matthew Loeb:

Organized labor has been under siege for too long and in order to overcome some of the challenges we face, we must increase our involvement in the political process or lose the ability to protect our members nationwide. We cannot afford to allow anti-worker politicians to blame workers for the problems that are the product of irresponsibility on the part of others. Our voice must be heard on the local level as well as the national level and we have the opportunity to act and not just stand by as our rights are stripped away.

So how do we fight back? Join me and your IASTE Brothers and Sisters who contribute to the IATSE–PAC (Political Action Committee) Stand Up, Fight Back campaign. Very soon, in your start paperwork, you’ll find a form to sign up for the IATSE–PAC. I strongly encourage you to join me and many of your IATSE Brothers and Sisters who have decided to “Stand Up, Fight Back.” To learn more, go to the Local 695 website or call me at (818) 985-9204. If the Middle Class is going to return, it’s up to the unions to make it happen.

Fraternally,
Scott Bernard
Business Representative

From the President

UNION STRONG, UNION STRONG, UNION STRONG…

I’m feeling something coming alive in this union, a sense of engagement, ownership and, yes, optimism. The empowering of our members as active participants in their collective professional destinies have never seemed so evident. We are writing new chapters of our history together by virtue of the surging activism from our members. We’re seeing record turnouts for our training classes, Board meetings, membership meetings, organizing drives, picket lines, benefit events and very significantly, our Young Workers Committee.

I’ve been attending many union gatherings in recent weeks, the California Labor Federation Biennial Convention, Local 695 General Membership Meeting, the IATSE General Executive Board Meeting and the IATSE District 2 Convention. The importance of the US presidential election has brought a certain energy to all these events and has revealed to me that the current turning point in the broader culture is reflected within our union culture. People are aroused to action and change is in the air. I see it as a change for the better and in the interest of the working men and women of this country and certainly, this industry. We have been a harbinger of growth and demonstrated a leadership trend in successful organizing locally and nationally in a difficult environment for Labor.

Quoting a recent AFL-CIO communique on Internal Organizing:

“Determined to build power for working people in today’s political climate, unions across the country are recharging efforts to reach out to new members and increase engagement among existing ones.”

We are a microcosm of this phenomena, especially in the private sector where 90 percent of us statistically self-identify as members of the labor union movement in the US.

This means not seeing the union as a third party, but as a tool for joining together for common interest, seeing things in terms of building something good, rather than only eliminating the bad and most importantly, seeing ourselves as working people “making life better for our families, through collective advancement.”

So, a few principles to consider under the heading of Internal Organizing:

•  Power in numbers

•  Making a commitment and participate in your union as a stakeholder

•  Bringing change with knowledge and persistence

•  Strengthening our communities through enlightened self-interest

•  Retake the reins and set the rules, own it

•  Negotiate collectively for legitimate leverage

“Coming together, we can get a fair return for our work, paid time to be home when our families need us and a more secure retirement. By acting in union, we have the power to make our communities better and win at work.”

In this issue, you’ll read about the physical rebirth of the Local’s building and I hope you’ll understand how much this represents the genuine revitalization of Local 695’s membership community. I’ve been privileged to be a member since 1983 and I believe our union connection is the best vehicle for all of us as we journey the beginning of a sea change in the larger culture regarding the worth and rights of working people.

Warmest fraternal regards,
Mark Ulano CAS AMPS
Local 695 President

From the Editors

From the Editors

Welcome to the summer edition of Production Sound & Video. The membership of Local 695 is the most technically proficient in the entertainment industry. That’s not a boast, it’s fact.

Jillian Arnold goes in depth on “Asset Management” and Pronology. The new Aaton CantarX3 is explained and reviewed with informative testimonials from multiple owners, all members of this Local in “All About the CantarX3.” Bill Ruck gives us part two of “The Radio Frequency Spectrum Puzzle” and we introduce a new column by Jay Patterson CAS, “FCC Update.”

The cover of this edition shows off the Local’s new look and it’s not just a fresh coat of paint. Peggy Names introduces the makeover of the entire office in “The Newly Renovated Offices of Our Local.”

As always, we are excited by the response to our publication and the desire of you to contribute articles. This magazine is for and by the membership but it also serves as an excellent way to promote our skills, exemplify our knowledge and inform the industry how much we contribute every day to every project.

There are extra copies of this publication available and we welcome your requests to hand them out to fellow crewmembers, producers and talent. In fact, it’s the perfect excuse to come by our office and check out the new digs!

Fraternally,

Richard Lightstone, Eric Pierce and Mark Ulano

Production Sound Award Winners

2015 AWARDS

Local 695 Salutes the AMPS, BAFTA, CAS and Oscar Winners and their Production Sound Teams

[Names in BOLD are Local 695 members.]

AMPS AWARD

The Association of Motion Picture Sound Award for “Excellence in Sound for a Feature Film” was presented on February 8 to:

The Martian
Mac Ruth CAS, Oliver Tarney AMPS, Paul Massey

Production Sound Team: Sam Stella, Bal Varga, György Mihályi, György Mohai, Tamás Székely, György Rajna, Attila Kohári, Bence Németh, Áron Havasi

BAFTA AWARD

The EE British Academy Film Awards ceremony was held on February 14 at the Royal Opera House in London, England. The BAFTA Sound Award went to:

The Revenant
Chris Duesterdiek, Lon Bender, Martin Hernandez, Frank A. Montaño, Jon Taylor CAS, Randy Thom CAS

Production Sound Team: Charles O’Shea, Candice Todesco, Jose Antonio Garcia, Jonathan Fuh, Alex Altman

CINEMA AUDIO SOCIETY AWARDS

The 52nd Annual CAS Awards ceremony was held on February 20 at the Crystal Ballroom of the Millennium Biltmore Hotel in Los Angeles, California. The six winners were:

MOTION PICTURES: LIVE ACTION

The Revenant
Chris Duesterdiek, Jon Taylor CAS, Frank A. Montaño, Randy Thom CAS, Conrad Hensel, Michael Miller CAS, Geordy Sincavage

Production Sound Team: Charles O’Shea, Candice Todesco,
Jose Antonio Garcia, Jonathan Fuh, Alex Altman

MOTION PICTURES: ANIMATED

Inside Out
Doc Kane, Tom Johnson, Michael Semanick, Joel Iwataki, Mary Jo Lang CAS

TELEVISION MOVIE OR MINI-SERIES

Fargo Season 2, Episode 5
Michael Playfair CAS, Kirk Lynds, Martin Lee

Production Sound Team: Robert “Arjay” Joly, Valerie Siu, Mike Markiw, David Brown

TELEVISION SERIES – ONE HOUR

Game of Thrones “Hardhome”
Ronan Hill CAS, Richard Dyer CAS, Onnalee Blank CAS, Mathew Waters CAS, Brett Voss CAS

Production Sound Team: Simon Kerr, Jonny Waite, Daniel McCabe, Bradley Kendrick, Kelly Stewart

TELEVISION SERIES – HALF-HOUR

Modern Family “Connection Lost”
Stephen A. Tibbo CAS, Dean Okrand CAS, Brian R. Harman CAS, David Michael Torres

Production Sound Team: Srdjan Popovic, William Munroe, Peter Hansen, Ken Strain, Corey Woods, Jon Sheridan, John Hays, Noel Espinosa, Brian Wittle, Devendra Cleary CAS, Steven Morrow CAS

TELEVISION NON-FICTION, VARIETY, MUSIC SERIES OR SPECIALS

Live From Lincoln Center “Danny Elfman’s Music From the Films of Tim Burton”
Ken Hahn CAS, Paul Bevan

Production Sound Team: Lucas “Rico” Corrubia, Kristyn R. Smith, Brian Buno, Bill Pierce, Matt Israel

OSCAR NOMINEES

The 88th Academy Award ceremony was held on February 28 at the Dolby Theater in Hollywood, California. The Oscar for “Best Sound Mixing” went to:

BEST SOUND MIXING

Mad Max: Fury Road
Ben Osmo, Chris Jenkins, Gregg Rudloff

Production Sound Team: Mark J. Wasiutak, Brendan John Allen, Oliver Machin, Thabo Singheni, Derek Manvelt, Ian Arrow, Sam Sergi, Mathew Ndara, Shanti Burne, Paradox Delilah, Gareth Evans, Sam Davies

News & Announcements

“Present & Future Digital Workflows for Video Engineers”

TWO VIDEO CLASSES LAST MONTH AND MORE TO COME

Presented by Local 695 Video Engineers Jillian Arnold and Tom Vanasse, these training sessions began with a discussion about the Video Engineer’s place in today’s rapidly evolving production environment. Needless to say, with video now the medium of choice on nearly all film and television production, there was much to discuss.

Topics included off-camera recording, standard playback and 24-frame playback, green-screen compositing, motion capture, transcoding, backup, distribution and more.

Tom stressed that a complete understanding of digital acquisition demands operational expertise on all the major external data recorders, including those from Codex, Odyssey, Sound Devices, AJA, Atmos Systems, Cinedeck, Pronology, Grass Valley, Turbos, EVS, Blackmagic and Nexto.

The data path is critical, too, and Jillian explored the strengths and weaknesses in a wide variety of connectivity options, such as Cat5/Cat6, SAS, fiber, Thunderbolt, Expresscard34, and ultimately, IP and the cloud.

A lot of additional ground was covered in both training sessions, including storage, archiving, software, file structure, verification and industry best practices. And there were a lot of opportunities for members to share their experiences doing this work in the field and to trade suggestions and advice.

Demand for both of these classes was high and we still weren’t able to accommodate everyone but for those who missed out this time, watch for announcements of more classes soon.


Local 695 Set Visits

Local 695 Field Representative Joe Aredas reports that he has logged close to sixty set visits so far this year, visiting studio lots, commercials and locations taken off the FilmL.A. database, meeting with sound and video crews at work. Joe has been partnering up with other locals, so don’t be surprised to see him with other union representatives on his visits.

Field Representative Joe Aredas can be reached at (818) 985-9204 or joea@local695.com


Mark Ulano Receives Lifetime Achievement Award

Local 695 continues to be on the forefront of organizing productions, according to 695 Field Representative Joe Aredas.

Among the recently organized productions are commercials for Hasbro, Copperpoint, Mitsubishi, Unit 9, AT&T and Samsung, the reality show American Grit and the features True to the Game and The Men.

If you’re on a nonunion production, call a Local 695 rep to discuss the situation. Remember to always fill out an online job report, union or nonunion.


 Holiday Brunch & Brews

About 140 sound and video professionals got together at Golden Road Brewing in Glendale on December 13 for a holiday mixer. Organized by Social Media & Events Committee members Chris Howland, Devendra Cleary and Steve Morantz, the event featured the fine food and beverages from Golden Road, and many prizes from around a dozen manufacturers were raffled off. The next mixer is planned for February 21 at Bunker Hill Bar & Grill, across the street from the Biltmore Hotel.


Local 695 Office Gets Makeover

The School of Visual Arts (SVA) honored Local 695 President Mark Ulano on May 10, with its Lifetime Achievement Award at its 27th Dusty Film & Animation Festival. Mark’s award was presented by Chris Newman at the SVA Theater on 23rd Street in Manhattan.


Friedrichs v. California Teachers Association

On March 29, due to a 4-4 tie vote, the US Supreme Court ruled that it would not overturn the US 9th Circuit Court of Appeals rejection of Friedrichs v. California Teachers Association. The case would have overturned an earlier ruling that required public sector unions from charging a “fair use” fee for negotiating wages and working conditions, and would have the effect of severely weakening all unions by making the payment of dues optional.


Social Media & Events Committee

The Social Media & Events (SM&E) Committee has been busy with three great events!

The 3rd Annual LA Sound Mixers Winter Lunch & Mixer was held at the Bunker Hill Bar & Grill in downtown Los Angeles, right across the street from the Biltmore Hotel where the Cinema Audio Society awards banquet was held the previous night. More than a hundred people crowded into the restaurant for food, drink and networking.

On Saturday, March 5, the SM&E Committee teamed up with Trew Audio for the LA Sound Mixers Flea Market. Over 140 folks came by from noon to 3 PM to buy lots of used gear from 20+ sellers. Refreshments, hamburgers and hot dogs were served.

Wildfire/Sonic Magic Studios was the site for the “Bridging the Gap Between Production & Post” seminar on Sunday, April 17. The day began with food and refreshments in the lobby provided by the Audio Department, and from there everyone moved to the mix stage for the seminar. Topics covered were dialogue editing techniques, noise reduction and the differences between mixing for feature releases as opposed to TV broadcast. Participants were able to gain significant insight as to how some of our daily practices as Production Mixers affect the Post Mixers workflow.


 Save the Date!

The next General Membership Meeting is scheduled for 10 AM on Saturday, July 16, at the Local 80 stage, 2520 W. Olive Avenue in Burbank.

Contributors

Contributors

DAVE BELLAMY
Dave Bellamy and daughter: “I’m the one on the right and that’s my lovely granddaughter, Alyssa, on the left. In 1991, at the time we opened Soundtronics in Burbank, she was not yet born. When we opened Soundtronics in Las Vegas in 1995, she still wasn’t born. Today, she is thirteen years old and lovelier than ever.”
 

BILL RUCK
Bill Ruck, a native San Franciscan, has been a Broadcast Engineer since the mid-1970s. His career includes KUSF, KJAZ, KALW, NPR-West and Susquehanna Radio for twentyone years (KFOG, KNBR, KSAN and KTCT) as Engineering Manager. Bill is the Chair of the Northern California Frequency Coordinating Committee overseeing the use of Part 74 Broadcast Auxiliary frequencies. Mr. Ruck is a volunteer with the Maritime Radio Historical Society, a former RCA Coast Marine Station KPH, now part of Point Reyes National Seashore. Bill Ruck is the 2014 Bay Area Radio Hall of Fame inductee chosen by Chapter 40 of the Society of Broadcast Engineers. Bill poses in front of a WWII vintage PW-15 transmitter restored and in service at KPH.

RICHARD LIGHTSTONE CAS AMPS
Richard began his career in Montreal and continues to mix in Los Angeles. He is currently on the Executive Board of Local 695, a co-editor of Production Sound & Video and a former President of the Cinema Audio Society.

Photos courtesy of the respective contributors

From the Business Representative

From the Business Representative

Welcome to the first issue with our newly branded magazine: Production Sound & Video. Why the name change? Local 695 continues to promote the extraordinarily diverse talents of our members but we want to be sure to remind you that we are much more than “The Sound Local.” And in this issue, you’ll see exactly what I’m talking about as we once again spotlight the creativity and multifaceted talents of our members. As you read this issue, you’ll see that Local 695’s Dan Moore and Glenn Derry’s company, Video Hawks, has been inventing entirely new motion capture (Mo-cap) technology for use in Disney’s incredible new film, The Jungle Book.

Product development moves quickly, as Mark Ulano and I saw at the NAB show, where we had a firsthand glimpse at the innovations and technology that’s just around the corner. This is where the “film”- making process is headed next. These production tools and methods evolve so quickly, and so do the skills of our members who constantly amaze me with their commitment to training and developing new skills. And the Local’s education department continues to update existing courses and rolls out new ones as software and hardware products evolve. The message to our members about education is unchanged: Stay active and let us know what else we can do to help.

When this administration took office in January 2015, my goal and the goal of your Board of Directors was to present to the industry the incredible skills and talents of all Local 695 members. I’m extremely proud to say it’s working. When I walk onto a set, the buzz has changed. People recognize the decade’s-long tradition of our Video and Sound Engineers … women and men who I contend are the most gifted and talented technical crew that you can find … partnering with producers throughout the industry to create video and audio magic on movie sets around the world.

In solidarity,
Scott Bernard
Business Representative

From the President

ACTION AS METAPHOR:

Well, we’re drawing to a close on the great refurbishing of our Local’s offices and quite a journey it has been.

At the beginning, a book of design concepts drafted for us by former Board member and Boom Operator, Patrushkha Mierzwa, nurtured preliminary creative discussions around the idea that we can embody the rebirth of this Local by taking head-on the deferred maintenance and creative design of the building.

This became a reality with the simple icebreaker of restoring a couple of our office spaces over a long weekend in the Fall. Suddenly, everything seemed possible, ideas a’poppin, great excitement afoot …

Then, our Wizard in Residence, Laurence Abrams, achieved the impossible with the brilliant sale of our old and unneeded domain name, providing funding for the project without impacting the financial health of the Local and motivating our formation of a Building Committee, including the contributions, over time, of Peggy Names, Linda Skinner, Jeff Wexler, Jennifer Winslow, Richard Lightstone, Carrie Sheldon, Chris Howland, myself and Patrushkha Mierzwa.

As the project moved forward, Committee Chair Peggy Names and Linda Skinner made themselves available to take on the huge responsibility of organizational and creative oversight of the project. Peggy gave many hours of her time, hammer and nail and paint brush at the ready. Linda was command central, keeping the vendors, scheduling and paperwork always in order. In fact, doing everything necessary to keep things moving along for the benefit of all.

Laurence was everywhere at once, filling in whatever gaps emerged during the project.

The whole office staff really chipped in at every turn and a special thanks goes out to Scott Bernard, Laurence Abrams, Joe Aredas, Jr., Linda Skinner, Michael Kanya, Cindy Vivar and Nikki Riordan, all of whom rolled with the punches of workmen’s schedules and the construction work being provided by all the vendors, subcontractors and workmen. These folks never skipped a beat in providing the first-rate daily service to our members, while frequently improvising due to the construction turmoil of their work environment. Beyond that, the staff often dove right in to help move, shift, assemble and organize whenever needed. It’s a great and versatile team.

We owe all of these fine folks a debt of gratitude for the beautiful outcome. So from me, and the rest of The Members, thank you all for a job well done.

Come on down and check it out. Feel the good vibes.

Fraternally,
Mark Ulano CAS AMPS
Local 695 President

From the Editors

by Richard Lightstone CAS AMPS

Welcome to Production Sound & Video, our new name for the former 695 Quarterly. Why the re-branding? Because we are not just a number, but also a diverse I.A. local with highly skilled engineers and creative talent. We want the industry to recognize that we are multifaceted and brimming with technical ability, from Production Sound Mixers, Boom Operators, Sound Utility, Video Engineers, Broadcast Engineers and Studio Projectionists. That is just a broad overview of what we do.

In this edition, Bill Ruck explains “The Radio Frequency Spectrum Puzzle,” Dave Bellamy discusses his design of wireless antennae arrays in “Balance Is the Word” and I interview Glenn Derry and Dan Moore in “The Evolution in Motion Capture on The Jungle Book and Beyond.”

We appreciate your readership and the many fascinating articles that our members and others outside of this Local have contributed to this publication. A toast to all of you and Production Sound & Video!

Fraternally yours, Eric Pierce, Richard Lightstone and Mark Ulano

Production Sound Award Nominees

Local 695 Honors the Art of Production Sound Through the Success of all Award Nominees

[Names in BOLD are Local 695 members.]

CAS AWARD NOMINEES

The 52nd Annual CAS Awards Final Five Nominees were announced on Tuesday, January 12, 2016, and the awards ceremony will be held on Saturday, February 20, at the Crystal Ballroom of the Millennium Biltmore Hotel in Los Angeles, California.

MOTION PICTURES: LIVE ACTION

Bridge of Spies

Drew Kunin, Andy Nelson CAS, Gary Roger Rydstrom CAS, Thomas Vicari CAS, Bobby Johanson CAS, Chris Manning

Production Sound Team: Michael H. Scott, Jeanne Gilliland, Benjamin Dunker, Mark Goodermote, Michael Primmer, Jason Stasium

The Hateful Eight

Mark Ulano CAS AMPS, Michael Minkler CAS, Chris Minkler, Fabio Venturi, Nerses Gezalyan

Production Sound Team: Tom Hartig, Patrick Martens, Mitchell Gebhard

Mad Max: Fury Road

Ben Osmo, Chris Jenkins, Gregg Rudloff, Thomas J. O’Connell, Ryan Squires

Production Sound Team: Mark J. Wasiutak, Brendan John Allen, Oliver Machin, Thabo Singheni, Derek Manvelt, Ian Arrow, Sam Sergi, Mathew Ndara, Shanti Burne, Paradox Delilah, Gareth Evans, Sam Davies

The Revenant

Chris Duesterdiek, Jon Taylor CAS, Frank Montaño, Randy Thom CAS, Conrad Hensel, Michael Miller CAS, Geordy Sincavage

Production Sound Team: Charles O’Shea, Candice Todesco, Jose Antonio Garcia, Jonathan Fuh, Alex Altman

Star Wars: The Force Awakens

Stuart Wilson AMPS, Andy Nelson CAS, Chris Scarabosio, Shawn Murphy,Charleen Steeves, Chris Manning

Production Sound Team: Orin Beaton, Thomas Fennell, David Giles, Tim White, Nick Gillett

MOTION PICTURES: ANIMATED

The Good Dinosaur

Vince Caro, Tom Johnson, Michael Semanick, Brad Haehnel, Kyle Rochlin

Hotel Transylvania 2

Howard London CAS, Michael Semanick, Tom Johnson, Brad Haehnel, Randy Singer CAS

Inside Out

Doc Kane, Tom Johnson, Michael Semanick, Joel Iwataki, Mary Jo Lang CAS

Minions

Carlos Sotolongo, Gary A. Rizzo CAS, Chris Scarabosio, Shawn Murphy, Corey Tyler

The Peanuts Movie

Bill Higley, Lora Hirschberg, Randy Thom CAS, Leff Lefferts, Casey Stone CAS, Jason Butler

TELEVISION MOVIE OR MINI-SERIES

American Crime Episode 1

Ben Lowry, Rick Norman, Ryan Davis

Production Sound Team: Misty Conn, Michael Swanner

American Horror Story: Hotel #501 “Checking In”

Brendan Beebe CAS, Joe Earle CAS, Doug Andham CAS, Judah Getz, John Guentner

Production Sound Team: Michael “Kriky” Krikorian CAS, Russell H. White, Mike Fredriksz, Erin Paul, Tim O’Malley

American Horror Story: Hotel “Room Service”

Brendan Beebe CAS, Joe Earle CAS, Vicki Lemar

Production Sound Team: Sam Hamer, Ted Hamer, Tim O’Malley, David Hadder, Sheraton Toyota, K. Jeremy Brill

Fargo Season 2, Episode 5

Michael Playfair CAS, Kirk Lynds, Martin Lee

Production Sound Team: Robert “Arjay” Joly, Valerie Siu, Mike Markiw, David Brown

True Detective “Down Will Come” Episode 4

Geoffrey Patterson CAS, Steve Pederson, Daniel J. Leahy, Ron Bedrosian, Shawn Kenelly

Production Sound Team: Jeffrey Humphreys, David Fiske Raymond

TELEVISION SERIES – ONE HOUR

Better Call Saul “Marco” Episode 110

Phillip W. Palmer CAS, Larry B. Benjamin CAS, Kevin Valentine, Matt Hovland, David Michael Torres

Production Sound Team: Patrick Martens, Zach Sneesby

Game of Thrones “Hardhome”

Ronan Hill CAS, Richard Dyer CAS, Onnalee Blank CAS, Mathew Waters CAS, Brett Voss CAS

Production Sound Team: Simon Kerr, Jonny Waite, Daniel McCabe, Bradley Kendrick, Kelly Stewart

Homeland 502 “The Tradition of Hospitality”

Ed Cantú, Nello Torri CAS, Alan M. Decker CAS, Paul Drenning CAS, Shawn Kennelly

Production Sound Team: Hunor Schauschitz, Martin Schmidt, Bertin Moltz, Dominik Leube

House of Cards “Chapter 27”

Lorenzo Millan, Nathan Nance, Scott Lewis, Corey Tyler

Production Sound Team: Randy Pease, Chris Jones

The Walking Dead “First Time Again”

Michael P. Clark CAS, Gary D. Rogers CAS, Daniel J. Hiland CAS, Eric Gotthelf

Production Sound Team: Robert K. Maxfield, Dennis T. Sanborn

TELEVISION SERIES – HALF-HOUR

Modern Family “Connection Lost”

Stephen A. Tibbo CAS, Dean Okrand CAS, Brian R. Harman CAS, David Michael Torres

Production Sound Team: Srdjan Popovic, William Munroe, Peter Hansen, Ken Strain, Corey Woods, Jon Sheridan, John Hays, Noel Espinosa, Brian Wittle, Devendra Cleary, Steven Morrow CAS

Nurse Jackie #708 “Managed Care”

Jan McLaughlin CAS, Peter Waggoner

Production Sound Team: Brendan Jamieson O’Brien, Joe Origlieri, Jason Stasium

Parks and Recreation “One Last Ride” Part 1

George A. Flores CAS, John W. Cook II CAS, Bill Freesh CAS

Production Sound Team: Kelly Ambrow, Mitchell Cohn, Valeria Ghiran, Ben Greaves, David McJunkin

Silicon Valley “Server Space” Episode 13

Benjamin A. Patrick CAS, Elmo Ponsdomenech, Todd Beckett

Production Sound Team: Corey Woods, Chris Diamond

Veep “Mommy Meyer”

Bill MacPherson, Richard Davey

Production Sound Team: Steve Saada, Travis Groves

TELEVISION NON-FICTION, VARIETY, MUSIC SERIES OR SPECIALS

Anthony Bourdain: Parts Unknown “Madagascar”

Benny Mouthon CAS

Deadliest Catch “Lunatic Fringe”

Bob Bronow CAS

Keith Richards: Under the Influence

Scott R. Lewis, Eddie O’Connor, Michael Emery, Dennis Hamlin

Production Sound Team: Jason Kuppig, Joe Leo, Thomas Morrison, Eddie O’Connor, Erik Whitestone

Cobain: Montage of Heck

Steve Pederson, Cameron Frankley

Production Sound Team: Eric Thomas, Anthony Enns, Devin Golub, Jason Anderson

Live from Lincoln Center “Danny Elfman’s Music from the Films of Tim Burton”

Ken Hahn CAS, Paul Bevan

Production Sound Team: Lucas “Rico” Corrubia, Kristyn R. Smith, Brian Buno, Bill Pierce, Matt Israel

OSCAR NOMINEES

The Oscar nominees for “Best Sound Mixing” were announced on Thursday, January 14, 2016. The 88th Academy Awards ceremony will be held Sunday, February 28, at the Dolby Theater in Hollywood, California. The ceremony will be broadcast on ABC Television, and in more than 225 countries and territories worldwide.

BEST SOUND MIXING

Bridge of Spies

Drew Kunin, Andy Nelson CAS, Gary Rydstrom CAS

Production Sound Team: Michael H. Scott, Jeanne Gilliland, Benjamin Dunker, Mark Goodermote, Michael Primmer, Jason Stasium

Mad Max: Fury Road

Ben Osmo, Chris Jenkins, Gregg Rudloff

Production Sound Team: Mark J. Wasiutak, Brendan John Allen, Oliver Machin, Thabo Singheni, Derek Manvelt, Ian Arrow, Sam Sergi, Mathew Ndara, Shanti Burne, Paradox Delilah, Gareth Evans, Sam Davies

The Martian

Mac Ruth, Paul Massey, Mark Taylor

Production Sound Team: Sam Stella, Bal Varga, György Mihályi, György Mohai, Tamás Székely, György Rajna, Attila Kohári, Bence Németh, Áron Havasi

The Revenant

Chris Duesterdiek, Jon Taylor CAS, Frank A. Montaño, Randy Thom CAS

Production Sound Team: Charles O’Shea, Candice Todesco, Jose Antonio Garcia, Jonathan Fuh, Alex Altman

Star Wars: The Force Awakens

Stuart Wilson AMPS, Andy Nelson CAS, Christopher Scarabosio

Production Sound Team: Orin Beaton, Thomas Fennell, David Giles, Tim White, Nick Gillett

BAFTA AWARD NOMINEES

The EE British Academy Film Award nominations for “Best Sound” were announced on January 8, 2016. The awards ceremony will be held Sunday, February 14, 2016, at the Royal Opera House, in London, England, and broadcast on BBC One and BBC One HD in the UK.

BEST SOUND

Bridge of Spies

Drew Kunin, Richard Hymas, Andy Nelson CAS, Gary Rydstrom CAS

Production Sound Team: Michael H. Scott, Jeanne Gilliland, Benjamin Dunker, Mark Goodermote, Michael Primmer, Jason Stasium

Mad Max: Fury Road

Ben Osmo, Scott Hecker, Chris Jenkins, Mark Mangini, Gregg Rudloff, David White

Production Sound Team: Mark J. Wasiutak, Brendan John Allen, Oliver Machin, Thabo Singheni, Derek Manvelt, Ian Arrow, Sam Sergi, Mathew Ndara, Shanti Burne, Paradox Delilah, Gareth Evans, Sam Davies

The Martian

Mac Ruth, Paul Massey, Oliver Tarney AMPS, Mark Taylor

Production Sound Team: Sam Stella, Bal Varga, György Mihályi, György Mohai, Tamás Székely, György Rajna, Attila Kohári, Bence Németh, Áron Havasi

The Revenant

Chris Duesterdiek, Lon Bender, Martin Hernandez, Frank A. Montaño, Jon Taylor CAS, Randy Thom CAS

Production Sound Team: Charles O’Shea, Candice Todesco, Jose Antonio Garcia, Jonathan Fuh, Alex Altman

Star Wars: The Force Awakens

Stuart Wilson AMPS, David Acord, Andy Nelson CAS, Christopher Scarabosio, Matthew Wood

Production Sound Team: Orin Beaton, Thomas Fennell, David Giles, Tim White, Nick Gillett

AMPS NOMINEES

The Association of Motion Picture Sound award for “Excellence in Sound for a Feature Film” was announced on January 2, 2016.  The winner of the 3rd annual event will be presented on February 8.

EXCELLENCE IN  SOUND FOR A FEATURE FILM

Bridge of Spies

Drew Kunin, Gary Rydstrom CAS, Andy Nelson CAS

Production Sound Team: Michael H. Scott, Jeanne Gilliland, Benjamin Dunker, Mark Goodermote, Michael Primmer, Jason Stasium

The Hateful Eight

Mark Ulano CAS AMPS, Wylie Stateman, Michael Minkler CAS

Production Sound Team: Tom Hartig, Patrick Martens, Mitchell Gebhard

The Martian

Mac Ruth, Oliver Tarney AMPS, Paul Massey

Production Sound Team: Sam Stella, Bal Varga, György Mihályi, György Mohai, Tamás Székely, György Rajna, Attila Kohári, Bence Németh, Áron Havasi

Spectre

Stuart Wilson AMPS, Per Hallberg, Scott Millan CAS

Production Sound Team: Orin Beaton, Thomas Fennell, Tim White, Nick Gillett, János Csáki Jr.

Star Wars: The Force Awakens

Stuart Wilson AMPS, Matthew Wood, Andy Nelson CAS

Production Sound Team: Orin Beaton, Thomas Fennell, David Giles, Tim White, Nick Gillett Take Control.

News & Announcements

Training: Digital Asset Management & Syncing

Video Engineers … improve existing skills and stay in touch with evolving technologies. Watch your email and the Local 695 website for details about more training sessions for Digital Asset Management and on-set syncing of sound and picture. Class size is small in order to have lots of interaction and hands-on time so be sure to sign up early once the classes have been announced.


Young Workers Committee Hosts December Hike

An afternoon hike to Eagle Rock in Topanga Canyon was hosted by the Local 695 Young Workers Committee on December 12. About a dozen members attended the 7½-mile hike, which finished with a raffle for prizes donated by local vendors.

The Committee was formed as a community building tool and to integrate new members into Local 695. Watch your email inbox for more events.


More Organizing

Local 695 continues to be on the forefront of organizing productions, according to 695 Field Representative Joe Aredas.

Among the recently organized productions are commercials for Hasbro, Copperpoint, Mitsubishi, Unit 9, AT&T and Samsung, the reality show American Grit and the features True to the Game and The Men. If you’re on a nonunion production, call a Local 695 rep to discuss the situation. Remember to always fill out an online job report, union or nonunion.


Holiday Brunch & Brews

About 140 sound and video professionals got together at Golden Road Brewing in Glendale on December 13 for a holiday mixer. Organized by Social Media & Events Committee members Chris Howland, Devendra Cleary and Steve Morantz, the event featured the fine food and beverages from Golden Road, and many prizes from around a dozen manufacturers were raffled off. The next mixer is planned for February 21 at Bunker Hill Bar & Grill, across the street from the Biltmore Hotel.


Local 695 Office Gets Makeover

The Local’s office is in the final stages of being updated with a brand-new look. Crews are finishing up painting, installing new flooring, cabinets and furniture. The new brighter, open and organized look is more welcoming, and is done in a modern/mid-century modern style, according to Building Committee Chair Peggy Names.

Peggy, along with the help of Executive Assistant/ Membership Services Coordinator Linda Skinner, have been working hard, providing direction to the project and keeping it on track.

Existing filing and storage cabinets have been refinished and reconfigured. Areas of the building have been opened up and redesigned for better efficiency, and previously unused areas were cleaned out and utilized. The building will be a businesslike and welcoming environment for the membership and visitors.

Look for invitations to an open house within the next couple of months.


Save the Date!

The next General Membership Meeting is scheduled for 10 a.m. on Saturday, April 16, 2016, at the Local 80 Stage, 2520 W. Olive Avenue in Burbank.

Our Contributors

Contributors to this edition

Doc Justice 
Doc Justice is the owner of Audio Justice, Inc., a sound services company, and Halter Technical, LLC, creators of audio products for broadcast and video professionals. He resides in Los Angeles, but will never give up his 215 area code from Philadelphia.

Mac Ruth
Mac Ruth started his career at the University of Texas at Austin, with extended stops in Los Angeles and currently, Budapest, Hungary. Early on in his career, a love of cinema took him from the music side of the business to the film side.

William Sarokin CAS
I started in sound by default in the late ’70s while making documentaries. I had many friends who were camera people but had no sound connections, so I bought an 815 and an Arrivox Tandberg and started recording myself. I proved a better mixer than documentarian so that’s what stuck. Today, I’m a film/TV mixer and a proud member of IATSE Locals 52 and 480 and the Cinema Audio Society.

Mark Ulano CAS AMPS
Mark Ulano has been recording sound for film professionally since 1976. Mark has more than 140 film and television credits.

Photos courtesy of the respective contributors

From the Business Representative

We lost one of our champions

On December 27, 2015, the Labor community lost one of our champions, Haskell Wexler. Haskell had an extraordinary career as a Director of Photography, Producer and Director. Haskell received many awards during his career including an Oscar for his work on Who’s Afraid of Virginia Woolf? and Bound for Glory. My hope is that you will also remember him as a fighter for the rights for all working men and women. Haskell didn’t care what you thought of him and whose feathers he had to ruffle to stand up for the crew. Each time I met with Haskell, the topic was never about him or the shows he worked on, it was always about the productions that worked long hours and the safety of the crew. Haskell was well known for his tenacity on this issue and was a co-founder of the organization 12 on 12 Off (http://12on12off.weebly.com). 

The goal of this group is to have no workday longer  than twelve hours and at no time does a crew member get less than a 12-hour turnaround. Haskell produced a documentary called  Who Needs Sleep? that details the risk to your health when you’re exposed to long hours over the length of your career.

At our Executive Board meeting in January, I asked President Mark Ulano to form a Local 695 Safety Committee to continue Haskell’s fight for safe working conditions. There is no better person to chair this committee than Jeff Wexler. Jeff accepted  the position to continue the work his father began years ago.

Call the IATSE 24-hour toll-free safety hotline if you experience unsafe working conditions on production. If you are injured on production, call the Local to report your injury so we can assist you with workmen’s comp issues and to help with your transition back to work.

In solidarity,
Scott Bernard
Business Representative

From the President

It’s time to make our presence known and understood.

We are the engineering Local, a creative force in Hollywood. We stand shoulder to shoulder with the other creative contributors in the filmmaking community, at the ready to deliver under any conditions.

We are a proud union, committed to the principle of excellence and in this time of awards and recognition for the accomplishments within the entertainment world, it seems we should be stating clearly where we stand.

Each one of us is an ambassador for this group of professionals known as IATSE Local 695. Every day can present an opportunity for us to reinforce and enhance this message. What we bring to the workplace matters. We are needed as collaborators for the work to progress.

We need to communicate this in all of our work relationships and opportunities. Not with swagger or boastfulness, but with commitment, concern and contribution.

We are greater than the sum of our tools as our contribution is about the filmmaking, the storytelling and the project at hand. We’re here to serve like any “musician/ sideman” might be, intensely devoted to knowing our “instrument” fluent in the language of filmmaking, hungry to “play with good players.”

We have a system. Every day, we retrace our steps, practicing to reinforce what we’ve learned up till now, and build on that foundation by opening our minds to new ways of accomplishing this ancient task of storytelling, for that is our mission, telling the story.

We must be our own best voice to inform and remind those we work with that we are as indispensable to the process as any of our peer contributors. This is not conceit, but merely a statement of fact that is all too often missed in the flurry that is at the heart of making movies and television.

We can remind our colleagues that what we do is profoundly necessary for successful productions to take place. In fact, if we were unable to perform our contributing work on any given day, production could easily grind to a halt; something we, collectively, are absolutely committed to prevent. We do this by being perpetual students of the filmmaking. Soaking up the river of information and new technology constantly flowing toward us, creating training for our members, so we can say with confidence, “bring it.” Bring us these new hammers and nails, these constantly evolving tools of creativity that we are so interested in mastering. We must stay nimble and ready to perform in the orchestra.

We must express clearly that we are truly creative partners in the making of entertainment.

Happy New Year to our many friends.

Warm wishes to you all in the year 2016.

Fraternally,
Mark Ulano CAS AMPS
Local 695 President

From the Editors

Welcome to this edition of the 695 Quarterly

It’s not only winter, but also Awards Season. Expect downpours of rain, accolades and trophies. As we all know, it takes a large team of talent both above and below the line to make any project entertaining and successful.

The talent and leadership of a department head is dependent on the collective talent and leadership of their crew.

It takes teamwork to deliver excellent quality and craftsmanship. This teamwork is exemplified by three complex and technically challenging motion pictures.

Mac Ruth writes about The Martian; Mark Ulano expresses his philosophy in The Hateful Eight and William Sarokin tells us about Sicario. The common thread here is the respect for the process and the people they work with.

Doc Justice details the respect that manufacturers have for our need for better products to push the technical envelope in “Don’t Stand for the Standard!”

We wish you a happy, productive and bountiful 2016.

Fraternally yours,

Fraternally yours,
Richard Lightstone, Eric Pierce, and Mark Ulano

67th Emmy Award Winners

[Names in BOLD are Local 695 members.]

Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation

Modern Family “Connection Lost” ABC

Stephen A. Tibbo CAS, Dean Okrand CAS, Brian R. Harman CAS, David Michael Torres

Production Sound Team: Srdjan Popovic, William Munroe, Peter Hansen, Ken Strain, Corey Woods, John Sheridan, John Hays, Noel Espinosa, Brian Wittle, Devendra Cleary CAS, Steven Morrow CAS

Outstanding Sound Mixing for a Comedy or Drama Series (One Hour)

Game of Thrones “Hardhome” HBO

Ronan Hill CAS, Richard Dyer, Onnalee Blank CAS, Mathew Waters CAS

Production Sound Team: Simon Kerr, Jonny Waite, Daniel McCabe, Bradley Kendrick, Kelly Stewart

Outstanding Sound Mixing for a Limited Series or a Movie

Bessie HBO

Jim Emswiller, Roberto Fernandez, Damian Volpe, Ed Cherney, Evyen J. Klean

Production Sound Team: Thadd Day, Maaike Snoep, Mark Agostino

Outstanding Sound Mixing for Nonfiction Programming (Single- or Multi-Camera)

Foo Fighters: Sonic Highways “Seattle” HBO

Fred Stuben, Jeff Fuller, CAS, Eddie Kim

Production Sound Team: Ian Wood

Outstanding Sound Mixing for a Variety Series or Special

Saturday Night Live 40th Anniversary Special NBC

Robert Palladino, Bill Taylor, Marty Brumbach, Ezra Matychak, Bob Selitto, Chris Costello, Devin Emke, Josiah Gluck, Bob Clearmountain

Production Sound Team: Michael Ferrara, Tyler McDermott, Chris McKevitt, Patricia Reilly, Jason Spence, Michael Witzer

News & Announcements

New Website Address

Our website has a new address: www.local695.com, so be sure to change your bookmarks. Additionally, all the “@695.com” email addresses have been changed to “@local695.com” so update your address book, too!


Lynda.com

The IATSE has arranged a $20 yearly membership license for its members to Lynda.com. Usually at $360 a year, Lynda.com is a leading online learning company with courses that provide business, software, technology and creative skills to achieve personal and professional goals.

The IATSE license runs from September 1, 2015, through August 31, 2016, but it’s not too late to begin. https://www.local695.com/html/lynda.php has all the information needed to get started.


Audio Supervisors Brunch

On Sunday, October 25, Local 695’s Technical Trends Committee/FCC Project hosted a brunch for Audio Supervisors in the unscripted television field. The intent was to present the history as well as the latest developments in the upcoming FCC incentive auction where the FCC will be auctioning off more of the UHF spectrum to big Telecom. Doc Justice, along with Mark Ulano and Jay Patterson, cochairs of the Technical Trends Committee, were the hosts at Gordon Biersch in Burbank. This event featured Bill Ruck, San Francisco Area Volunteer UHF Spectrum Coordinator, and Tim Holly, Spectrum Coordinator at CBS Radford. This was an outreach event open to all non-scripted Audio Supervisors, IA and non- IA.

Bill Ruck gave a PowerPoint presentation that detailed the history of the evolving uses of the UHF spectrum, along with the congressional mandate to sell off the 600 MHz bands for profit. Topics included the reallocation of TV stations currently in the 600 band, white space devices and the outright disregard for professional wireless microphone users in the entertainment industry, sporting events, theater and houses of worship.

The Technical Trends Committee feels the information delivered at the brunch is important to all professional wireless mic users in the entertainment field. An edited video and a transcription of the presentation will be on open pages of the Local 695 website, available to membership and the general public


Building Update

The Building Committee is exploring the long-term goal of purchasing a building that more suits the Local’s needs and reflects who we are. The Committee expects to achieve this within five years.

The immediate goal is to take care of all deferred maintenance and updates on the building as both a positive image for the organization and for resale purposes.


Picture Quitting

MPTF (Motion Picture & Television Fund), the 94-year-old nonprofit serving members of the entertainment industry, received a $25,000 CVS Health Community grant to support smoking cessation and prevention.

CVS Health presented the grant to MPTF CEO Bob Beitcher during a special luncheon where UCLA health staff and entertainment industry representatives convened to learn about the Picture Quitting Smoking Cessation Program, the first entertainment industry-led program offered in the United States that combines free counseling with low-cost medication.

Picture Quitting offers approximately six weeks of counseling: individual, group, telephone, email or webcam. Participants also receive follow-up phone calls for one year. All counseling sessions are free.

Picture Quitting also provides smoking cessation medications for a small copay. At the first visit, you will learn about medication options so you, your counselor and MPTF physician can work together to determine which choices are right for you.

For more information, please call 818-526-7644 or talk with your MPTF physician.


January Membership Meeting: Save the Date!

The next General Membership Meeting is scheduled for Saturday, January 16, 2016, at 10 a.m. It will be held at the Local 80 Stage at 2520 W. Olive Avenue in Burbank.


In Memoriam

EVAN ADELMAN
Y-1 Sound Mixer
August 31, 1957 – August 26, 2015

ROBERT A. “DAN” DILLON
Y-1 Sound Mixer
January 14, 1939 – June 6, 2015

FRANK SCIUTO
Y-7 Video Tech
December 10, 1925 – September 12, 2015

Our Contributors

Contributors to this edition

Willie Burton CAS
Willie Burton CAS began his career as a Navy sonar engineer and after three and a half years, moved into sound mixing, joined Local 695 where he has mixed for over three decades, winning two Oscars and multiple nominations.

​Devendra Cleary CAS
Devendra started his career in 1998 in Colorado and moved to Los Angeles in 2001, moving up from Utility Sound, to Boom Operator and Production Sound Mixing. He proudly serves on Local 695’s Executive Board.

Doc Justice 
Doc Justice is the owner of Audio Justice, Inc., a sound services company, and Halter Technical, LLC, creators of great audio products for broadcast and video professionals. He resides in Los Angeles, but will never give up his 215 area code from Philadelphia.

Richard Lightstone CAS AMPS
Richard began his career in Montreal and continues to mix in Los Angeles. He is currently on the Executive Board of Local 695, the co-editor of the 695 Quarterly and a former president of the Cinema Audio Society.

Ric Teller 
Ric Teller started in television at KTLA in the ’70s and has been a freelance television audio guy since 1985. He also is a pretty damn good baker. Here he is visiting Hoover Dam.

Photos courtesy of the respective contributors

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IATSE LOCAL 695
5439 Cahuenga Boulevard
North Hollywood, CA 91601

phone  (818) 985-9204
email  info@local695.com

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